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Clinging to the bell

by Buson
(1716 - 1784) Timeline

English version by
Sam Hamill

Original Language
Japanese

Buddhist : Zen / Chan
18th Century

Clinging to the bell,
he dozes so peacefully,
this new butterfly

 

 

-- from The Poetry of Zen: (Shambhala Library), Edited by Sam Hamill / Edited by J. P. Seaton

Amazon.com

 


/ Photo by emmyboop /

Themes

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Recommended Books


The Poetry of Zen: (Shambhala Library), Edited by Sam Hamill / Edited by J. P. Seaton
Zen Poetry: Let the Spring Breeze Enter, Translated by Lucien Stryk / Translated by Takashi Ikemoto

 

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Commentary by Ivan M. Granger

This haiku is so precise and specific that you can't help but step into the scene sketched for us: A butterfly dozing, at peace on an unstruck bell.

The moment suggests such stillness, yet there is that underlying tension and anticipation. That bell can be rung at any moment, startling the butterfly.

The bell might suggest a temple or monastery. It signals a change in awareness, the call to prayer or to duty.

Should we think of the butterfly as a butterfly? Or a monk, perhaps? Or ourselves? It is "new," young, inexperienced. Is its peaceful rest naive? Or is it the natural result of its simplicity?

When the bell is struck, will the butterfly attain wakefulness, or lose its peace?

I really like the way this haiku can be turned around and around, yet we keep returning to that perfect still point, dozing on the unstruck bell.

 

 


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