Poetry Chaikhana
Sacred Poetry from Around the World

Search the Poetry Chaikhana site:


Poetry Chaikhana Home
New | Books | Music | Teahouse | About | Contact
Poets by: Name| Tradition | Timeline Poetry by: Theme | Commentary
Blog | Forum | Video Channel
www.Poetry-Chaikhana.com

<<Previous Poem | View All Poems by Kobayashi Issa | Next Poem >>

Don't weep, insects

Kobayashi Issa, Kobayashi Issa poetry, Buddhist, Buddhist poetry, Zen / Chan poetry, [TRADITION SUB2] poetry,  poetry by Kobayashi Issa
(1763 - 1828) Timeline

English version by
Lucien Stryk and Takashi Ikemoto

Original Language
Japanese

Buddhist : Zen / Chan
18th Century

Don't weep, insects --
Lovers, stars themselves,
Must part.

 

 

-- from A Box of Zen: Haiku the Poetry of Zen, Koans the Lessons of Zen, Sayings the Wisdom of Zen, Edited by Manuela Dunn Mascetti / Edited by Timothy Hugh Barrett

Amazon.com

 


/ Photo by -ratamahatta- /

Themes

  Lover and Beloved
  Smile
 
 
 


Recommended Books


A Box of Zen: Haiku the Poetry of Zen, Koans the Lessons of Zen, Sayings the Wisdom of Zen, Edited by Manuela Dunn Mascetti / Edited by Timothy Hugh Barrett
The Enlightened Heart: An Anthology of Sacred Poetry, by Stephen Mitchell
The Poetry of Zen: (Shambhala Library), Edited by Sam Hamill / Edited by J. P. Seaton
Zen Poetry: Let the Spring Breeze Enter, Translated by Lucien Stryk / Translated by Takashi Ikemoto

 

<<Previous Poem | More Poems by Kobayashi Issa | Next Poem >>

Commentary by Ivan M. Granger

Another haiku by Issa.

We can't take an expansive view of existence without making room in our philosophy for that universal experience of death and the (apparent) separation that results. Issa's short meditation on this terrible question is somehow sweet, even soothing. It places our personal experience within a vast community of reality -- a quiet acknowledgment that great and small all share the same initiation of breathing out, of letting go.

It seems physical existence is, in some ways, an immense stage for the acting out of the two great dramas of being: learning to connect, and then learning to release. The first requires a heart that is open; the second requires a heart even more open.

Is this a melancholy meditation? When we look at this question with a steady gaze, a calm mind, and that open heart, we can glimpse a life within that doesn't pale at parting even from the body itself. That unflickering glow, that is us, our true self, the sustained self.

And it seems to me it is with that voice that Issa makes his observation of parting -- a wholeness of being watching a passing phenomenon. Such universal rending should be a catastrophe in the soul, yet we don't feel it that way as we read these lines. There is something fleeting and superficial in the haiku's separation, and something eternal in the witness uttering its words.

Have a beautiful day, and a new moon bringing new beginnings, new possibilities.

 

 


Poetry Chaikhana Home
New | Books | Music | Teahouse | About | Contact
Poets by: Name| Tradition | Timeline Poetry by: Theme | Commentary
Blog | Facebook | Twitter
www.Poetry-Chaikhana.com

Please support the Poetry Chaikhana, as well as the authors and publishers of sacred poetry, by purchasing some of the recommended books through the links on this site. Thank you!

Ivan M. Granger's original poetry, stories and commentaries are Copyright © 2002 - 2011 by Ivan M. Granger.
All other material is copyrighted by the respective authors, translators and/or publishers.