Poetry Chaikhana
Sacred Poetry from Around the World

Search the Poetry Chaikhana site:


Poetry Chaikhana Home
New | Books | Music | Teahouse | About | Contact
Poets by: Name| Tradition | Timeline Poetry by: Theme | Commentary
Blog | Forum | Video Channel
www.Poetry-Chaikhana.com

<<Previous Poem | View All Poems by Kamalakanta | Next Poem >>

Ever-blissful Kali

by Kamalakanta
(1769? - 1821?) Timeline

English version by
Rachel Fell McDermott

Original Language
Bengali

Yoga / Hindu : Shakta (Goddess-oriented)
18th Century

Ever-blissful Kali,
Bewitcher of the Destructive Lord,
Mother --
for Your own amusement
You dance,
clapping Your hands.

You with the moon on Your forehead,
really You are primordial, eternal, void.
When there was no world, Mother,
where did You get that garland of skulls?

You alone are the operator,
we Your instruments, moving as You direct.
Where You place us, we stand;
the words You give us, we speak.

Restless Kamalakanta says, rebukingly:
You grabbed Your sword, All-Destroyer,
and now You've cut down evil and good.

 

 

-- from Singing to the Goddess: Poems to Kali and Uma from Bengal, Translated by Rachel Fell McDermott

Amazon.com

 

Themes

  Moon
  Womb
 
 
 


Recommended Books


Kali: The Black Goddess of Dakshineswar, by Elizabeth U. Harding
Singing to the Goddess: Poems to Kali and Uma from Bengal, Translated by Rachel Fell McDermott

 

<<Previous Poem | More Poems by Kamalakanta | Next Poem >>

Commentary by Ivan M. Granger

To more fully appreciate the meaning of this poem, it helps to know a little about the iconography and symbols associated with the Goddess Kali.

Kali is the spouse or feminine aspect of Shiva ("the Destructive Lord"). In the male-female dichotomy of Indian metaphysics, the masculine aspect of the Divine is the seed, that which is potential but unmanifest and at rest, whereas the feminine form of the Divine is that potential gestated and then made manifest and active. For this reason, Kali, the active principle is often portrayed in the midst of a wild, ecstatic dance of creation and destruction, while her husband, Shiva, rests prone at her feet, eyes fixed on her movement, "bewitched."

Kali dances for her "own amusement" because this dance of manifestation and destruction is done purely out of divine delight. It is considered "lila," divine play.

There are several other important symbolic elements in this poem, but let's look at one of the more shocking details: She is wearing a "garland of skulls"! Why would Kali be wearing a necklace of heads? The story is told that an army of demons threatened creation, and only Kali, the Great Goddess, was powerful enough to destroy them in her ecstatic dance. She slew them all, restoring the universal balance, and made a garland of their heads. On a more esoteric level, each head represents a sound of the Sanskrit alphabet. Each sound is considered a pure vibration, and it is through pure vibration that manifestation occurs. Thus Kali's garland of heads is created from the destruction of evil and, at the same time, it makes possible the harmonious manifestation of everything.

 

 


Poetry Chaikhana Home
New | Books | Music | Teahouse | About | Contact
Poets by: Name| Tradition | Timeline Poetry by: Theme | Commentary
Blog | Facebook | Twitter
www.Poetry-Chaikhana.com

Please support the Poetry Chaikhana, as well as the authors and publishers of sacred poetry, by purchasing some of the recommended books through the links on this site. Thank you!

Ivan M. Granger's original poetry, stories and commentaries are Copyright © 2002 - 2011 by Ivan M. Granger.
All other material is copyrighted by the respective authors, translators and/or publishers.