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Taoist
8th Century

About Li Po

Timeline (701 - 762)

Li Po, Li Po poetry, Taoist, Taoist poetry,  poetry, [TRADITION SUB2] poetry,  poetry

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English version by
Kenneth Hope

Original Language
Chinese

Yellow Crane Terrace

Commentary by
Ivan M. Granger

Themes
  Sky
  Spring Blossom
  Water
 
 

 

Recommended Books

Endless River: Li Po and Tu Fu: A Friendship in Poetry, Translated by Sam Hamill
The Enlightened Heart: An Anthology of Sacred Poetry, by Stephen Mitchell
Li Pai: 200 Selected Poems, Translated by Rewi Alley
Li Po and Tu Fu: Poems, Translated by Arthur Cooper
The Poetry of Zen: (Shambhalla Library), Edited by Sam Hamill / Edited by J. P. Seaton

More >>

Here he is, my good old friend!
He's at Yellow Crane Terrace on a western departure.
And--we're saying goodbye, goodbye.
He's in a cloud of third-month blossoms.
He's off downstream to Yang-chou.
That shadow there is his lonely sail.
Now there's nothing left of it.
All the blue is empty now.
All you can see is that long, long river.
It flows to the edge of the sky.

 

 

 

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Commentary by Ivan M. Granger

Blossoms, as I've said elsewhere, are a common reference in Chinese and Japanese poetry to the natural opening of enlightenment that occurs after the hard winter of spiritual practice. Li Po's friend is "in a cloud of third-month blossoms" -- that is, enlightenment that is full, mature, no longer tenuous.

Li Po watches his friend's "lonely sail" until there is nothing left of it and "all the blue is empty now." The more he tries to hold the vision of his friend, the more his friend disappears into blissful Nirvana until only the empty sky, pure mind, is observed.

The "long, long river," the flow of life (or, if you prefer, the flow of life energy) empties itself into the open sky of unlimited awareness.


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Ivan M. Granger's original poetry, stories and commentaries are Copyright © 2002 - 2008 by Ivan M. Granger.
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