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Meditate on Kali! Why be anxious?

by Ramprasad (Ramprasad Sen)
(1718? - 1775?) Timeline

English version by
Rachel Fell McDermott

Original Language
Bengali

Yoga / Hindu : Shakta (Goddess-oriented)
18th Century

Meditate on Kali! Why be anxious?
The night of delusion is over; it's almost dawn.
The sun is rising, dispelling
thick nets of darkness, and lotuses are blooming thanks to Siva
at the top of your head.
The Vedas throw dust in your eyes; blind too
the six philosophies. If even the planets
can't fathom Here
who will break up these fun and games?
There are no lessons between teacher and student
in a market of bliss.
Since She owns the actors, the stage, and the play itself
who can grasp the truth of the drama?
     A valiant devotee who knows the essence -- he
     enters that city.
Ramprasad says, My delusion is broken;
who can bundle up fire?

 

 

-- from Singing to the Goddess: Poems to Kali and Uma from Bengal, Translated by Rachel Fell McDermott

Amazon.com

 

Themes

  Bliss
  Dawn
  Fire
  Lotus
  Night


Recommended Books


Devoted to the Goddess : The Life and Work of Ramprasad, by Malcolm Mclean
The Gospel of Sri Ramakrishna, by M. (Sri Mahendra Gupta) / Translated by Swami Nikhilananda
Grace and Mercy in Her Wild Hair: Ramprasad Sen - Selected Poems to the Mother Goddess, Translated by Leonard Nathan / Clinton Seely
Great Swan: Meetings with Ramakrishna, by Lex Hixon
Kali: The Black Goddess of Dakshineswar, by Elizabeth U. Harding

More >>

 

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Commentary by Ivan M. Granger

Notice how Ramprasad's iconoclasm comes through with his lines stating that "The Vedas throw dust in your eyes; blind too / the six philosophies..." He mocks the endless intellectual "fun and games," the constant conceptualization that keep us blind to what is "Here." Even studying sacred texts, even the holy Vedas, can make us blind if we study as a way to separate us from the vast present moment.

If we fixate on the separate objects -- the actors, the stage, the play -- then we are caught in that objectified notion of a fragmented reality. But when we recognize that She (Kali, the Divine) "owns" actors, stage, and play, that they are not separate but a whole single production, then we start to see the essence.

Of course, that realization sets everything on fire...

 

 


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