Poetry Chaikhana Blog Sacred Poetry from Around the World

A chinese lion statue

What is a Chaikhana?

A chaikhana is a teahouse along the legendary Silk Road pilgrimage and trading route linking China to the Middle East and Europe. It is a place of rest along the journey, a place to shake off the dust of the road, to sip tea, and to gather together to sing songs of the Divine...

Lalla - I traveled a long way seeking God

Ivan M. Granger February 8th, 2010

I traveled a long way seeking God
by Lalla (Lal Ded)

English version by Swami Muktananda

I traveled a long way seeking God,
but when I finally gave up and turned back,
there He was, within me!

O Lalli!
Now why do you wander
like a beggar?
Make some effort,
and He will grant you
a vision of Himself
in the form of bliss
in your heart.

— from Lalleshwari: Spiritual Poems by a Great Siddha Yogini, Translated by Swami Muktananda


/ Photo by sebilden /

For so many mystics it is this way. After intense searching without success, what can be done but give up, or collapse? Yet a special thing happens at that very moment. You drop your expectations, your hopes, your projections about this external thing called “God.” For the first time you have truly let go the story you’ve been telling yourself about what God is and how you fit into the picture. It is only then that the scales fall from your eyes.

You stop straining to look, and finally see. And you see the Eternal already here, within you.

Finally recognizing the all-engulfing presence of the Divine, the heart feels safe; the heart opens, it blooms, and we are flooded by indescribable bliss!

Even a spiritual mendicant like Lalla can no longer think of herself as a beggar when in possession of such wealth.

Lalla (Lal Ded), Lalla (Lal Ded) poetry, Yoga / Hindu poetry Lalla (Lal Ded)

India (14th Century) Timeline
Yoga / Hindu : Shaivite (Shiva)

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better to know

Ivan M. Granger February 8th, 2010

Always better to know
than to believe

Hakim Sanai - When he admits you to his presence

Ivan M. Granger February 5th, 2010

When he admits you to his presence
by Hakim Sanai

English version by D.L. Pendlebury

When he admits you to his presence
ask from him nothing other than himself.
When he has chosen you for a friend,
you have seen all that there is to see.
There’s no duality in the world of love:
what’s all this talk of ‘you’ and ‘me’?
How can you fill a cup that’s full already?

— from The Walled Garden of Truth, by Hakim Sanai / Translated by David Pendlebury


/ Photo by mamnaimie /

When he admits you to his presence
ask from him nothing other than himself.

That’s it. Right there.

Most of us, when we seek God, we are really seeking something from God. Most of our prayers are for money, love, success in something. Now, there’s nothing inherently wrong in those things; they’re important parts of our lives. But if that’s all we ask of God, we are not asking enough.

Why ask for trinkets, when the Friend would give himself?

This reminds me of a story from the 20th century Hindu saint and spiritual ambassador, Swami Vivekananda. He was a young man, not yet committed to the spiritual life, and questioning everything about the spiritual teachings he was receiving from his guru, Ramakrishna. And his father had just died, leaving him, as the oldest son, responsible for the financial well-being of the family. He was torn between the worldly duty to provide for his mother and siblings, and his growing desire to retreat from the world to discover the deeper spiritual truths. His teacher, Ramakrishna, told him to go to the temple of the mother goddess and pray for money to provide for his family, promising that whatever he prayed for would be granted. The young Vivekananda went to the temple but was overcome with a spiritual state and found himself praying only for direct knowledge of God. He returned to his teacher, desperate, saying he forgot to pray for money. Ramakrishna told him to go a second time and pray for money. Vivekananda went, and again prayed for direct knowledge of God. He returned in tears, worried for his family. His teacher sent him back to the temple a third time, and once more Vivekananda found himself praying for God alone. When Vivekananda returned the third time, hopeless, his teacher Ramakrishna said that he had prayed for what was deepest in his heart and his prayer would be fulfilled, but Ramakrishna also promised that his family would have its basic needs met.

We are not monks, most of us. We live in the world and we have basic worldly needs, and when it’s important it’s okay to pray that those needs are met. But that should always be a distant second to the real and only goal — the Divine. What does it mean to have money or find that special person, but feel disconnected from the Eternal One who is our very Self? All meaning flows from that Divine Core. Without it, there is no deeper purpose or satisfaction to success, only the hunger for more.

There’s another interesting thing that happens. When we really, fully settle into that Heart of hearts, we find ourselves already at one with what we thought we sought. Then we ask ourselves why we wasted so much energy seeking so many things, when finding that one thing gives us so many things…

How can you fill a cup that’s full already?

Hakim Sanai

Afghanistan (1044? - 1150?) Timeline
Muslim / Sufi

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Everything…

Ivan M. Granger February 5th, 2010

Notice everything!

The Celestial Drink 4: Fermentation

Ivan M. Granger February 2nd, 2010


/ Photo by tibchris /

We’ve talked about the winepress and juice, but juice alone doesn’t make men drunk. It must be fermented…

I drink no ordinary wine,
but Wine of Everlasting Bliss,
As I repeat my Mother Kali’s name;
It so intoxicates my mind that people take me to be drunk!
First my guru gives molasses for the making of the Wine;
My longing is the ferment to transform it.
Knowledge, the maker of the Wine,
prepares it for me then;
And when it is done,
my mind imbibes it from the bottle of the mantra,
Taking the Mother’s name to make it pure.
Drink of this Wine, says Ramprasad,
and the four fruits of life are yours.

- Ramprasad Sen (1718? - 1775?)

Kali: The Black Goddess of Dakshineswar
by Elizabeth U. Harding

In Ramprasad’s song of “no ordinary wine,” the “molasses” is the sweetening agent that feeds the fermentation process. It is the initiating element that readies us internally for the process of deeper awakening.

His intense desire or longing for God, here as Kali, the Divine Mother, “ferments” that energy, causing this sacred brew to bubble and expand, giving it a vitality of its own. Fermentation is the inner quickening.

“Drink of this Wine, says Ramprasad” — indeed, we should!


Fermentation and the Christian Tradition

We often think of the great sacred wine songs as coming from the Sufi poets, but I want to take a moment to point out that the Celestial Drink is universal and is described in all of the world’s spiritual and religious traditions.

The divine liquid appears in many forms throughout Christian sacred tradition, as wine, blood, oil, water… Continue Reading »

Yung-ming Yen-shou - Immovable Mind

Ivan M. Granger February 1st, 2010

Immovable Mind
by Yung-ming Yen-shou

English version by John C.H. Wu

You wish to know the spirit of Yung-ming Zen?
Look at the lake in front of the gate.
When the sun shines, it radiates light and brightness,
When the wind comes, there arise ripples and waves.

— from The Golden Age of Zen: Zen Masters of the T’ang Dynasty, by John C.H. Wu


/ Photo by tombream07 /

Let’s contemplate this image Yung-ming has given us: What does a lake have to do with Zen practice and the nature of mind?

When the sun shines, it radiates light and brightness,
When the wind comes, there arise ripples and waves.

Like the mind, the lake naturally reflects its environment. When the sun is out, the lake/mind automatically “radiates light and brightness.” But when wind arises, the lake/mind’s surface is disturbed and disjointed.

Let’s carry this image a little further into the question of duality and unity. When the sun shines, the lake reflects that singular brightness. Witnessed from the right angle, you won’t see anything else but the shining radiance, all other detail consumed in the light.

Now let’s picture a blustery night. Even if the sky is clear enough to show us the moon, the choppy surface of the lake reflects not one moon, but a thousand moons, each jostling and crashing into the others.

This is how the perception of duality emerges in the mind. The surface of the mind becomes agitated. Rather than a single calm surface, a multiplicity of ripples and waves appear, move about, collide, and disappear again. And each wave has it’s own incomplete reflective face, each with its own fragmented snapshot of reality, in conflict with the thousand other slightly different images.

But are there truly a thousand moons in the night sky? Of course not, just the one. But the only way to discover this is to bring the lake’s surface to quiet stillness again. It doesn’t even require any effort. The mind’s “water” naturally returns to a still, placid state. All we must do is cease to agitate the surface.

Only then do we discover the one moon at night. Only then do we properly radiate the sun’s brightness.

One last thing I’d like to point out: Even during the most violent storm, no matter how much the surface of the lake churns and crashes, in its depths the lake remains still and at peace.

Yung-ming Yen-shou

China (904 - 975) Timeline
Buddhist : Zen / Chan

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The only valid motivation

Ivan M. Granger February 1st, 2010

The only valid motivation is love –
love for God,
love for humanity,
love for the living Earth.
Anything less will fall short of your goal.

The Celestial Drink 3: The Wine Press

Ivan M. Granger January 31st, 2010


/ Photo by d-man / Carpe diem /

If we want to truly get drunk on the wine of union, then we have to understand how the wine appears…

The grapes of my body can only become wine
After the winemaker tramples me.
I surrender my spirit like grapes to his trampling
So my inmost heart can blaze and dance with joy.
Although the grapes go on weeping blood and sobbing
“I cannot bear any more anguish, any more cruelty”
The trampler stuffs cotton in his ears: “I am not working in ignorance
You can deny me if you want, you have every excuse,
But it is I who am the Master of this Work.
And when through my Passion you reach Perfection,
You will never be done praising my name.”

- Jelaluddin Rumi (1207 - 1273)

The Way of Passion: A Celebration of Rumi
by Andrew Harvey

This verse by Rumi says so much. Here he is telling us that the wine of the mystic is really the refined essence of oneself. It is formed from “the grapes of my body.” The wine is the juice emitted by the ego, the selfish, separate idea of the self when it finally surrenders, crushed into non-existence.

Of course, working toward that complete surrender can be terrifying… so long as we identify with the ego. There are times when the seeker calls out, “I cannot bear any more anguish, any more cruelty.” But the Winemaker, caring for us too much to let us remain comfortably unfinished, continues with the work, knowing the pure sweetness of completion. Continue Reading »

Dogen - Worship

Ivan M. Granger January 29th, 2010

Worship
by Dogen

English version by Steven Heine

A white heron
Hiding itself
In the snowy field,
Where even the winter grass
Cannot be seen.

— from The Zen Poetry of Dogen: Verses from the Mountain of Eternal Peace, by Steven Heine


/ Photo by motumboe /

Looking out the window this morning, I saw a quiet world, mist trickling in among the winter-bare branches, yesterday’s snow still new upon the ground. I thought of this poem…

===

It may not seem obvious with the first reading… Why does Dogen entitle this poem “Worship”? What does a white heron in snow have to do with worship?

Let’s contemplate the imagery of this poem a bit. “A white heron / hiding itself / in a snowy field…” Have you ever watched a heron fishing, wading at the edge of a lake? It is completely focused, and even when it moves it seems utterly still. Because of these qualities, the heron becomes a symbol of the Zen meditator. You have a being of white — the heron, the meditator — disappearing into an environment of white — the snow. In fact, the heron is not passively disappearing, it is actively engaged in the process; it is “hiding itself” in the snow. How does the heron hide itself? Through its stillness.

Snow is often used in Zen poetry to suggest the true nature of the world when finally perceived by the enlightened awareness. Everything is seen as one, the same, radiant, “white” — everything comes to rest in the interpenetrating glow of being. The idea of separation is lost in that light. Beings and objects, yourself included, are suddenly recognized as one fluid continuity in that “snowy field.”

So this is what true worship is, according to Dogen: Through deep, focused meditation to recognize your own bright nature in the midst of the still, bright field of being — and to let the sense of a separate (little) self fade as you gently merge into that radiance of interbeing.

Dogen, Dogen poetry, Buddhist poetry Dogen

Japan (1200 - 1253) Timeline
Buddhist : Zen / Chan

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Deeply Witness

Ivan M. Granger January 29th, 2010

But that is precisely the purpose of the human soul,
to deeply witness.

The Celestial Drink 2: Thirst

Ivan M. Granger January 28th, 2010


/ Photo by sergis blog /

Before the Celestial Drink can be tasted, there must first be thirst…

As long as I live I will eat and drink
The grief of loving You.
I will never give it up to anyone
Even when I am dead.

Tomorrow
At the Resurrection
I will walk forward with this violent thirst
Still storming my head.

- Ayn al-Qozat Hamadani (1098 - 1131)

Perfume of the Desert: Inspirations from the Sufi Wisdom
by Andrew Harvey / Eryk Hanut

What is this thirst and what does it have to do with spirituality?

The mystic’s thirst is, of course, a thirst for God, and for the bliss-filled Celestial Drink that often accompanies the experience of divine union. Thirst is a passionate longing for the direct experience of the Real, the Eternal, a longing so intense that it is felt in every level of being.


Parched

The parched know –

real thirst
draws rainwater
from an empty sky.

- Ivan M. Granger


This thirst must be acknowledged, cultivated, nurtured until it is a pain so sharp it clears the mind and orients the soul where every action and thought naturally leads to the Drink’s source — the wine cellar, the tavern… When the thirst is strong enough, the draw is so strong that rainwater falls from an empty sky.

O soaring eagle! darling lamb!
O glowing spark! Set me on fire!
How long must I endure this thirst?
One hour is already too long,
A day is as a thousand years
When Thou art absent!

Should this continue for eight days
I would rather go down to Hell –
(Where indeed I already am!)
Than that God should hide Himself
From the loving soul;
For that were anguish greater than human death,
Pain beyond all pain.
The nightingale must ever sing
Because its nature is love;
Whoso would take that from it
Would bring it death.
Ah! Mighty Lord! Look on my need!

- Mechthild of Magdeburg (1207 - 1297)
Of the Voices of the Godhead (excerpt)

German Mystical Writings: Hildegard of Bingen, Meister Eckhart, Jacob Boehme, and others
Edited by Karen J. Campbell

The mystic’s thirst becomes so powerful, so “violent” (as Hamadani says in the first poem) that it can be traumatic. It becomes a pain felt on many levels. On one level, it is the “hallowing pain” of relinquishing all to obtain the All… Continue Reading »

The Celestial Drink & Alcohol

Ivan M. Granger January 27th, 2010

In the past I’ve had a few emails pointing out that the language of the Celestial Drink series raises warning flags for people who’ve struggled alcoholism. I have loved ones who are recovering alcoholics, so I understand how serious this question is.

In these Celestial Drink posts, I’ve affected the jovial language of wine and drinking, as do many of the poems we will look at. But I don’t want this to be misunderstood as encouraging alcoholic excess. I certainly don’t read these poems that way.

Actually, I personally don’t drink at all — and never have. I know that sounds bizarre to many people. I wasn’t raised in a strict religious family or anything. In fact, I am the child of hippies, and I was around my share of alcohol and other more interesting smelling substances in my early childhood.


/ Photo by jurvetson /

No, the decision to avoid drinking was a solitary one I made when I was thirteen-years-old. I’ve always loved words, and at that age I started thinking about the word “intoxication.” It hit me that getting drunk would, in fact, make my body “toxic.” So I decided then and there never to drink alcohol. A strange choice that made me something of an outsider throughout my teenage years, but it also taught me a lot about social patterns and behavior. When I was a young adult I discovered that alcoholism ran through my family, further reinforcing my abstinence.

If you want the full truth, I’ll admit that I have tasted wine, beer, champagne, and vodka, each once, and just a sip or two each. I wanted to see what they tasted like. My version of, “I didn’t inhale.” ;-)

Neither drinking nor abstinence has anything to do with the Celestial Drink, however. The “wine” we are talking about in this series isn’t wine, and the mystic’s drunkenness is not intoxication.

I sincerely apologize if this series upsets anyone — that is not my intention. But the theme is a foundational one in sacred poetry. I hope that the boisterous language comes through without being weighed down by its literal meaning.

With the Celestial Drink you can be entirely sober and giddy at the same time!

The Celestial Drink 1: Introduction

Ivan M. Granger January 27th, 2010

Wine, amrita, ambrosia, dew, tea, elixir, honey, virgin’s milk… References to a secret or forbidden drink appears in the writings and songs of initiates throughout the world. It is a drink that imparts wisdom, inspiration, prophecy, divine madness, and bliss. It is the sign of divine union between lover and the Beloved, the mystic’s marriage wine. But what is this celestial drink really? Why does it appear in sacred writings all over the world?

Let’s explore those questions in this Celestial Drink series…


As I was considering how to begin our exploration of the Celestial Drink, it occurred to me that I needed to find a way to convey that we are not talking about actual wine …or tea or honey or any other physical drink. At the same time, this subtle drink is not merely a metaphor. It is real, and available to everyone.

As long as the discussion remains safely in the intellect, the taste of wine never touches our lips — and who wants somber sobriety when the wine pours so freely?


/ Photo by Jsome1 /

Academics and literary critics are better equipped than I to give you a standard history of how wine and drink images are used in the great writings of the world. Instead, let’s you and I speak in shared whispers, as mystics, passing the cup quietly between us. Let us share the true taste and not simply the description…


Omar Khayyam, Omar Khayyam poetry, Muslim / Sufi poetry Omar Khayyam

Iran/Per (11th Century) Timeline
Muslim / Sufi

You know, my Friends, how long since in my House
For a new Marriage I did make Carouse:
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.

For “Is” and “Is-not” though with Rule and Line,
And “Up-and-down” without, I could define,
I yet in all I only cared to know,
Was never deep in anything but — Wine.

And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and ’twas — the Grape!

The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemist that in a Trice
Life’s leaden Metal into Gold transmute.

- Omar Khayyam (1048 - 1131)

The Rubaiyat of Omar Khayyam (Illustrated Edition)
by Omar Khayyam / Translated by Edward FitzGerald


The language of a sacred drink, a secret drink that imparts wisdom and bliss appears in the writings and songs of initiates throughout the world — wine, amrita, ambrosia, dew, tea, elixir, virgin’s milk. But what are these really? Continue Reading »

Mansur al-Hallaj - Your spirit is mingled with mine

Ivan M. Granger January 27th, 2010

Your spirit is mingled with mine
by Hallaj (Mansur al-Hallaj)

English version by Bernard Lewis

Your spirit is mingled with mine
as wine is mixed with water;
whatever touches you touches me.
In all the stations of the soul you are I.

— from Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems, Translated by Bernard Lewis


/ Photo by N.Post /

The great Sufi mystic poet, al-Hallaj, was put to death by orthodox religious authorities for poems like this, in which he seems to be equating himself with God.

This is the danger faced by most mystics. The sacred experience is one of ecstatic union with the Divine. Where do “you” cease to be, and where does the Divine begin? In mystical union, these questions are artificial since the Divine is everywhere and no tangible sense of you as a separate individual remains. There aren’t two in which to have a relationship; there is only the One.

Particularly notice the image of wine mixing with water. This sounds like a passing metaphor, but it actually resonates with layers of esoteric meaning.

“Wine” here is not wine; it is the drink of divine union. It is the “water” of the purified soul, awakened and flavored with the fermenting fire of life. This is the celestial drink of initiates: the amrita of the yogis, the ambrosia of the Greeks, even the tea of the Chaikhana…

water = the purified individual soul
wine = the sweet, blissful flood of the Divine

When wine is poured into water, water takes on the nature of wine, until no difference can be perceived. This is how he comes to that final line of realization:

In all the stations of the soul you are I.

When the divine wine pours into the clear water of the soul, everything is turned to wine. God and self become indistinguishable. Rather, self is lost and only God remains.

As a result, mystics keep producing ecstatic and dangerous poems like this one, and orthodox authorities keep trying to silence or marginalize them.

Hallaj (Mansur al-Hallaj), Hallaj (Mansur al-Hallaj) poetry, Muslim / Sufi poetry Hallaj (Mansur al-Hallaj)

Iran/Per (9th Century) Timeline
Muslim / Sufi

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Innocence and naivete

Ivan M. Granger January 27th, 2010

Innocence is not naivete.
Naivete must be carefully removed.
Innocence is your true nature.

John of the Cross - Dark Night

Ivan M. Granger January 25th, 2010

Dark Night
by John of the Cross

English version by Ivan M. Granger

(Songs of the soul delighted at having reached the high state of perfection, the union with God, by way of spiritual negation.)

On a darkened night,
Anxious, by love inflamed,
– O happy chance! –
Unnoticed, I took flight,
My house at last at peace and quiet.

Safe, disguised by the night,
By the secret ladder I took flight,
– O happy chance! –
Cloaked by darkness, I scaled the height,
My house at last at peace and quiet.

On that blessed night,
In secret, and seen by none,
None in sight,
I saw with no other guide or light,
But the one burning in my heart bright.

This guide, this light,
Brighter than the midday sun,
Led me to the waiting One
I knew so well — my delight!
To a place with none in sight.

O night! O guide!
O night more loving than the dawn!
O night that joined
The lover with the Beloved;
Transformed, the lover into the Beloved drawn!

Upon my flowered breast,
For him alone kept fair,
There he slept
There I caressed,
There the cedars gave us air.

I drank the turret’s cool air
Spreading playfully his hair.
And his hand, so serene,
Cut my throat. Drained
Of senses, I dropped unaware.

Lost to myself and yet remaining,
Inclined so only the Beloved I spy.
All has ceased, all rests,
Even my cares, even I;
Lost among the lilies, there I die.


/ Photo by lepiaf.geo /

This is one of my favorite poems by the great Spanish mystic, John of the Cross. It touches on so many important metaphors of sacred poetry: darkness, light, a secret ladder, the heart, the joining of lover and Beloved, silence, and death of the little self. Let’s take a look at just a few of these themes…

Although mystics often experience the Divine as a radiant, all permeating light, sometimes God is described in terms of night or darkness.

On a darkened night…

Night is the great Mystery, the unknown. Darkness is the place of secrets. It is the time of sleep, rest, peace. We drop all of our activities and turn inward.

Because nighttime is associated with sleep and, by analogy, death, it can also represent the time when the ego sleeps and most easily can “die” or fade away. The ego is less in charge at night, less demanding that its every desire be instantly met. The busy mind is less active, more likely to be at rest.

Night is the time when lovers meet, when the soul meets its Divine Beloved.

Darkness, like God, envelops everything in its embrace. It is in the darkness of night that all things become one, losing their individuality as they disappear into that mystery. Nighttime is the time of nondual awareness, when dichotomies and artificial notions of separation fade.

John of the Cross is particularly known for speaking of “the dark night of the soul.” This is not so much a reference to the experience of the Divine as mentioned above, but a preliminary state. Prior to experiences of union, the soul loses its orientation, where worldly distractions seem pointless, but the blissful fulfillment of divine union hasn’t yet been experienced. This can be a period of confusion, being “anxious,” a period of intense spiritual thirst, and a feeling of blindness that is the equivalent of trying to find one’s way in the dark. But that too can be an important stage of the journey that indicates the nearness of the sacred goal, not its distance.

Yet in this “blessed night,” John of the Cross discovers light. This is not just any light but an overpowering radiance, “Brighter than the midday sun.”

For genuine mystics, light is not a mere concept or metaphor; it is directly experienced. This light is perceived as being a living radiance that permeates everything, everywhere, always. This light is immediately understood to be the true source of all things, the foundation on which the physicality of the material world is built.

The sense of boundaries and separation, long taken for granted by the mind as the fundamental nature of existence, suddenly seems illusory, for this light shines through all people and things. It has no edges, and the light of one is the light of another.

This light is recognized as your own Self, while simultaneously being the Self of all others. Since this light is you and, at the same time, it radiates within all, the question arises: How can there be separation? conflict? loss?

This is how John proceeds so boldly from the experience of light to union, the sacred marriage, “Transformed, the lover into the Beloved drawn!”

And what about death? Why does he startle us by shifting from the ecstasy of union to death? “And his hand, so serene, / Cut my throat. / Drained of senses, I dropped unaware.”

Without understanding of this imagery, it can sound as if every mystic and saint has some strange death wish.

In deep ecstasy, the sense of individuality, the sense of “I” thins and can completely disappear. Though you may still walk and breathe and talk, there is no “you” performing these actions. The separate identity, the ego, disappears, to be replaced by a vast, borderless sense of Self. Suddenly, who you have always thought yourself to be vanishes and, in its place, stands a radiant being whose boundaries are no longer perceived in terms of flesh or space.

Lost to myself and yet remaining,
Inclined so only the Beloved I spy.

It is this experience, this complete shedding of the limited ego, that is the death so eagerly sought by mystics throughout time.

All has ceased, all rests,
Even my cares, even I;
Lost among the lilies, there I die.

Totally unrelated — A great exodus of geese just passed overhead. Not the usual arrow head of a dozen or two, but a couple hundred happily honking geese, an entire community on its journey to distant lands… Honk! :-)

John of the Cross, John of the Cross poetry, Christian poetry John of the Cross

Spain (1542 - 1591) Timeline
Christian : Catholic

More poetry by John of the Cross

Your own voice

Ivan M. Granger January 25th, 2010

Be willing to hear
your own voice when it whispers,
“I am holy.”

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