Archive for April, 2009

William Wordsworth - The Soul that rises with us

Ivan M. Granger April 29th, 2009

[5] The Soul that rises with us, our life’s Star, (from Ode. Intimations of Immortality)
by William Wordsworth

The Soul that rises with us, our life’s Star,
      Hath had elsewhere its setting,
            And cometh from afar:
      Not in entire forgetfulness,
      And not in utter nakedness,
But trailing clouds of glory do we come
      From God, who is our home.

— from Complete Poetical Works, by William Wordsworth


/ Photo by ewen and donabel /

I first heard this verse by Wordsworth in a recorded reading by the poet David Whyte. I still hear it in Whyte’s voice today. It doesn’t take much to get those last two lines dancing through my mind…

But trailing clouds of glory do we come
      From God, who is our home.

Have a beautiful day!

William Wordsworth, William Wordsworth poetry, Secular or Eclectic poetry William Wordsworth

England (1770 - 1850) Timeline
Secular or Eclectic

More poetry by William Wordsworth

What is right here

Ivan M. Granger April 29th, 2009

Continuously ask: What is right here?
What is this sensation? This emotion?
This thought? This experience?
Then ask: Who is experiencing it?

Li-Young Lee - Out of Hiding

Ivan M. Granger April 27th, 2009

Out of Hiding
by Li-Young Lee

Someone said my name in the garden,

while I grew smaller
in the spreading shadow of the peonies,

grew larger by my absence to another,
grew older among the ants, ancient

under the opening heads of the flowers,
new to myself, and stranger.

When I heard my name again, it sounded far,
like the name of the child next door,
or a favorite cousin visiting for the summer,

while the quiet seemed my true name,
a near and inaudible singing
born of hidden ground.

Quiet to quiet, I called back.
And the birds declared my whereabouts all morning.

— from Book of My Nights, by Li-Young Lee


/ Photo by popofatticus /

It’s been too long since we last had a poem by Li-Young Lee.

Someone said my name in the garden,

while I grew smaller
in the spreading shadow of the peonies,

grew larger by my absence to another,
grew older among the ants, ancient

A child’s game of hide-and-seek becomes a moment of magical awareness, of silence, of self-discovery.

under the opening heads of the flowers,
new to myself, and stranger.

That game of secret places and stillness, becomes the opportunity mystics of the great traditions seek–

while the quiet seemed my true name,

–the opportunity to disappear and, at the same time, to become profoundly yourself.

The poems title “Out of Hiding” hints at one other truth: Through this kind of hiding, we actually come out of hiding. It is a form of disappearing that fundamentally reveals us to the world.

Quiet to quiet, I called back.
And the birds declared my whereabouts all morning.

Li-Young Lee, Li-Young Lee poetry, Secular or Eclectic poetry Li-Young Lee

US (1957 - )
Secular or Eclectic

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Hide and Seek

Ivan M. Granger April 27th, 2009

In this divine game of hide-and-seek
stop pretending
there is any place to hide.

Found Haiku

Ivan M. Granger April 26th, 2009

A quiet weekend, overcast, and I’m feeling inspired to play with the idea of “found haiku.” I stumbled across this notion in R. H. Blyth’s book The Genius of Haiku (though the book doesn’t explore the full creative possibilities).

Here’s the idea: Take lines from a book or magazine, overheard snippets of conversation, words that almost slip by your notice, and use them as found objects to construct a haiku. We’re talking about haiku in the loosest definition, two or three short lines, but not strictly holding to the formal 5-7-5 syllable structure.

Then see what you come up with.

Here are a few I constructed today from some of my favorite novels…

Somehow, it was hotter then:
a black dog suffered
on a summer’s day

- Harper Lee, To Kill a Mockingbird

The short phrasing, followed by an abrupt stop, can make anything sound significant.

drifting down the big
still river, laying on our backs looking up at the stars
and we didn’t ever feel like talking

- Mark Twain, Huckleberry Finn

In fact, this technique often works best when selecting a passage that is more descriptive than self-consciously philosophical.

felt a deep love for this
flowing water and decided that he would
not leave it again so quickly

- Hermann Hesse, Siddhartha


/ Photo by Gilgongo /

What’s interesting is that once something sounds significant, the mind stops and discovers significance there. Continue Reading »

Omar Khayyam - And much as Wine has play’d the Infidel

Ivan M. Granger April 24th, 2009

[71] And much as Wine has play’d the Infidel,
by Omar Khayyam

English version by Edward FitzGerald

And much as Wine has play’d the Infidel,
And robb’d me of my Robe of Honor — well,
      I often wonder what the Vintners buy
One half so precious as the Goods they sell.

— from The Rubaiyat of Omar Khayyam, by Omar Khayyam / Translated by Edward FitzGerald


/ Photo by jurvetson /

Wine, as I’ve mentioned elsewhere, is a metaphor for the heavenly drink of bliss. Here Omar Khayyam is speaking of the Infidel wine with an ironic double meaning. On the one hand it is the forbidden earthly drink in the Islamic world, the drink tasted only by “Infidels.” (Of course, in reality, many Muslims drink alcohol without feeling it limits the depth of their faith.) On the other hand, wine is the promised drink of paradise. In the very foundations of Islam, wine has had a dual nature, from the profane to the most sacred — and Sufi poetry loves to play with this paradox.

For Khayyam, it is the heavenly wine, the drink of bliss that has played the Infidel by robbing him of his “Robe and Honor.” This is a reference to how the nondualistic perspective that overwhelmes you in deep bliss makes all distinctions and social roles, even religious roles and positions of honor, empty. You recognize yourself as essentially whole, even though you stand naked, stripped of the robes of social position. The Infidel Wine has made you an infidel to the outer forms of religion and social honor.

We are all of us “Vintners,” makers of the wine of divine union. But, Khayyam asks, what can we buy in the world — money, power, position, fame, companionship — that is even half as valuable as the heavenly wine we waste in order to gain those things?

It is best to spend our lives in quiet fermentation, cultivating within ourselves heavenly wine, and drinking deeply until we become drunk in indescribable joy!

Omar Khayyam, Omar Khayyam poetry, Muslim / Sufi poetry Omar Khayyam

Iran/Per (11th Century) Timeline
Muslim / Sufi

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John O’Donohue - In Praise of the Earth

Ivan M. Granger April 22nd, 2009

In Praise of the Earth
by John O’Donohue

Let us bless
The imagination of the Earth,
That knew early the patience
To harness the mind of time,
Waited for the seas to warm,
Ready to welcome the emergence
Of things dreaming of voyaging
Among the stillness of land.

And how light knew to nurse
The growth until the face of the Earth
Brightened beneath a vision of color.

When the ages of ice came
And sealed the Earth inside
An endless coma of cold,
The heart of the Earth held hope,
Storing fragments of memory,
Ready for the return of the sun.

Let us thank the Earth
That offers ground for home
And hold our feet firm
To walk in space open
To infinite galaxies.

Let us salute the silence
And certainty of mountains:
Their sublime stillness,
Their dream-filled hearts.

The wonder of a garden
Trusting the first warmth of spring
Until its black infinity of cells
Becomes charged with dream;
Then the silent, slow nurture
Of the seed’s self, coaxing it
To trust the act of death.

The humility of the Earth
That transfigures all
That has fallen
Of outlived growth.

The kindness of the Earth,
Opening to receive
Our worn forms
Into the final stillness.

Let us ask forgiveness of the Earth
For all our sins against her:
For our violence and poisonings
Of her beauty.

Let us remember within us
The ancient clay,
Holding the memory of seasons,
The passion of the wind,
The fluency of water,
The warmth of fire,
The quiver-touch of the sun
And shadowed sureness of the moon.

That we may awaken,
To live to the full
The dream of the Earth
Who chose us to emerge
And incarnate its hidden night
In mind, spirit, and light.

— from To Bless the Space Between Us: A Book of Blessings, by John O’Donohue


/ Photo by Katie Tegtmeyer /

An Earth Day poem for you today.

There was a time when I lived on Maui, without much money but surrounded by stunning natural beauty. I stayed in a place half-way up Haleakala Volcano, at the edge of a eucalyptus forest. I fasted a lot in those days, and several times a week I would walk barefoot into the woods. Hidden among the trees was a small rock cave, just large enough for me to sit upright in meditation. To sit quietly in the cool, silent embrace of the Earth — a true blessing!

Though I now live in a small city, in a computer-powered world, I still carry that time with me in my heart. That memory continuously reminds me that, in spite of skyscrapers and the Internet, the world is not man-made. All the works of humanity are small accomplishments compared with the panoramic living miracle of the Earth.

The ground below us, sky above us, breath within us — all is the living Earth.

The Earth is the stage for our dramas.

Let us thank the Earth
That offers ground for home
And hold our feet firm
To walk in space open
To infinite galaxies.

Not only could we not act without the Earth, we could not dream. The images the objects, the colors that populate the human psyche, they are all of the Earth too. The Earth speaks to us, and gives us a vocabulary to speak back.

The Earth is the place of birth, the stuff of life, and rest in death.

The kindness of the Earth,
Opening to receive
Our worn forms
Into the final stillness.

The Earth is our everything.

While we as individuals live out the span of years alotted to us, the Earth is the full embodiment, the whole multiplicity of Life.

The tangible hints at the intangible. Matter expresses spirit. Earth gives form to heaven. How can we not honor that form? It is sacred. And it is us. You and I emerge to incarnate that form. Our challenge is to awaken and incarnate the secret light it suggests.

That we may awaken,
To live to the full
The dream of the Earth
Who chose us to emerge
And incarnate its hidden night
In mind, spirit, and light.

Take some time today to sit on the Earth. Run your fingers through the grass. Feel the quiet strength filling your bones. Know you are home.

Have a beautiful day!

John O'Donohue, John O'Donohue poetry, Christian poetry John O’Donohue

Ireland (1954 - 2008) Timeline
Christian : Catholic
Secular or Eclectic

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God experienced

Ivan M. Granger April 22nd, 2009

The world has had plenty of God,
dictated and legislated.
We need more God,
experienced!

Basava - The eating bowl

Ivan M. Granger April 20th, 2009

The eating bowl is not one bronze
by Basava

English version by A. K. Ramanujan

The eating bowl is not one bronze
and the looking glass another.

      Bowl and mirror are one metal
      Giving back light
      one becomes a mirror.

            Aware, one is the Lord’s;
            unaware, a mere human.

                  Worship the lord without forgetting,
                  the lord of the meeting rivers.

— from Speaking of Siva, by A K Ramanujan


/ Photo by Gaetan Lee /

Basava is playing with a traditional teaching metaphor in this poem: both the bowl and the mirror are made of bronze. Mentally we label them as being different, but fundamentally they are the same substance, “one metal.” Bronze, here represents God. All beings, all things are made of the same substance, though we mentally distinguish them by outer appearance. The only real difference between the eating bowl and the mirror is that the mirror has recognized its nature as being made of bronze. The nature of bronze when polished is to give back light and the mirror embodies this.

We are all constructed of the same God-stuff. When we become aware of our nature and polish ourselves we give back light and become a mirror.

Basava, Basava poetry, Yoga / Hindu poetry Basava

India (1134 - 1196) Timeline
Yoga / Hindu : Shaivite (Shiva)

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Simple contentment

Ivan M. Granger April 20th, 2009

Simple contentment
unlocks so many doors
along the way.

Building the Poetry Chaikhana Community

Ivan M. Granger April 17th, 2009

The Poetry Chaikhana is a community reaching across the globe. We have visitors from every continent (okay, not Antarctica) and almost every country — literally! (See Poetry Chaikhana Around the World.) You are participating in a worldwide, multi-ethnic, multi-religious community of seekers, sages, and artists. By exploring the sacred poetry of the world together we open pathways for dialog, greater respect, and deeper understanding. And, of course, we get to share stunning expressions of humanity’s wisdom and wonder and wordplay.

I haven’t made a focused appeal for donations in the last twelve months, but your support is what keeps the Poetry Chaikhana going. Your donations pay for Internet services and software; they allow me to build the library of poetry books that is the backbone of this site. Most of all, your donations free me up to share my thoughts on these amazing poems, respond to your emails, add new poets to the website, and, when necessary, troubleshoot technical problems.

As you read these poem emails, as you visit the website, if you are regularly touched by that spark of connection and inspiration, please consider supporting the Poetry Chaikhana by clicking on one of the Donate buttons below or sending a check or money order in the mail. Your support keeps our community alive. It allows us to be a resource of inspiration and exploration for more and more people around the world.

If you can’t make a donation right now, please know your supportive thoughts and word-of-mouth recommendations are also genuine contributions, as well.

Thank you!

Ivan M. Granger

Poetry Chaikhana
PO Box 2320
Boulder, CO 80306


/ Photo by woodleywonderworks /

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Pablo Neruda - Poetry

Ivan M. Granger April 17th, 2009

Poetry
by Pablo Neruda

And it was at that age… Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating planations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke free on the open sky.


/ Photo by fazen /

And it was at that age… Poetry arrived
in search of me.

The autobiography of a poet and his art.

and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire

I especially like the perfectly simple way he describes how the purest art comes through when the artist steps aside:

there I was without a face
and it touched me.

After reading this poem, I have nothing much to add, except that I think I’ll read it again.

I wheeled with the stars,
my heart broke free on the open sky.

Pablo Neruda, Pablo Neruda poetry, Secular or Eclectic poetry Pablo Neruda

Chile (1904 - 1973) Timeline
Secular or Eclectic

More poetry by Pablo Neruda

Every nation, every person

Ivan M. Granger April 17th, 2009

Every nation, every person, every object
is within yourself.
Forgive the whole world
and watch what happens in you.

Story / Koan: Tipping Over a Vase

Ivan M. Granger April 16th, 2009

Koans are riddle-like sayings or short tales used in Zen practice to startle the listener out of the linear mind and into open awareness…

Two of the most famous collections of Zen koans are The Gateless Gate and The Blue Cliff Records. Here’s a koan I like from The Gateless Gate:


/ Photo by BotheredByBees /

Tipping Over a Vase

Master Hyakujo decided to found a new monastery, but he had the difficult task of selecting from among his disciples the right person to be the new monastery’s abbot. Then he came upon a solution.

Hyakujo called all his disciples together and told them that the person who best answered his question would be named the new abbot. Hyakujo filled a vase with water and set it on the ground before the assembled monks. “Who can tell me what this is without naming it?” he challenged.

The senior disciple stepped forward and answered accurately, “No one can call it a wooden shoe.”

Then Isan, the lowly cook, stepped forward and knocked the vase over with his foot, and walked out of the room.

Master Hyakujo smiled and declared, “My senior disciple has been bested.” Isan the cook was named the new abbot.

==

What just happened in this story?

One way to understand the meaning of this story is that the water represents Truth or the Dharma. The vase is the vessel that holds that truth, it is the teaching, it is the tradition.

That truth cannot be told, however. Sure, you can use simple words like “Truth” or “Reality,” or you can fill books with complex philosophical explanations. But ultimately those are all words and don’t truly convey what the Truth is. The “water” cannot be named. That is why Master Hyakujo gave this challenge to his disciples.

The lead disciple, clearly a cunning man, sees this as a test of his mental dexterity. If he cannot name the water-filled vessel, he will say what it is not, thus suggesting it by negation. But he has only negated one object in a world of infinite objects. A person can spend a lifetime listing all the things something is not, and never come to the point where only the unnamed thing remains. The lead disciple is trapped on the endless road of the intellect.

But the cook, Isan, understood the situation simply and clearly. He tipped the vase over, emptying the vessel and revealing the water. The truth cannot be told, it can only be shown.

What’s more, the truth cannot be held, it cannot be contained, it can only be poured out. The vase itself, the spiritual tradition, is empty and only has meaning as a vessel to transport the truth. By tipping over the vessel, he is suggesting that we must not worship the tradition itself. Religion, philosophy, spiritual tradition — these are not an end to themselves; they should be respected for their function as a delivery vehicle, but nothing more.

These are the insights that mark one for spiritual authority.

Sarmad - He dwells not only in temples and mosques

Ivan M. Granger April 15th, 2009

He dwells not only in temples and mosques –
by Sarmad

English version by Isaac A. Ezekiel

He dwells not only in temples and mosques –
The whole creation is his abode.
The whole world is bewitched by his tale,
      but wise are those who are lost in his love.

— from Sarmad: Martyr to Love Divine, by Isaac A. Ezekiel


/ Photo by gonc._a /

He dwells not only in temples and mosques –
The whole creation is his abode.

We humans tend to like our categories and definitions, a sort of thinking that’s very effective in the world. But that same form of thinking ensnares us when we engage with the deeper aspects of reality. We want to know where to go to find God. We want to know what to do, how to act, what to keep separate from, so that we might know ourselves to be holy. That approach can help to focus our intention… in the beginning. But at some point we need Sarmad’s reminder: Everything is sacred. All of creation is holy ground. There is no boundary to the Eternal.

Where you are, worship.

The whole world is bewitched by his tale,
      but wise are those who are lost in his love.

I really like these two lines. All of existence isn’t ‘real’ in the way we usually imagine it to be. Creation isn’t fixed; it flows. Things don’t exist in and of themselves; they are really relationships, an immense network of interaction. Seen this way, everything we experience is part of a drama. Any good storyteller knows that a good tale plays with fears and joys and questions of survival, hooking our attention while surreptitiously revealing something of the deeper truths of life.

As Sarmad says, the whole world is a story told by God. It is so rich and detailed that we can become “bewitched” by it. We become like actors who forget that there is a backstage. The wise, however, lose themselves, their egos. They know, once they’ve said their few lines, how to fall silent again, unbutton their costume, and enjoy the unfolding tale from the wings.

Sarmad

Iran/Per (? - 1659) Timeline
Muslim / Sufi
Jewish

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Already

Ivan M. Granger April 15th, 2009

You can only perceive
what you already are.

Updates to the Poetry Chaikhana Software

Ivan M. Granger April 13th, 2009

Do you ever wonder what I do for the Poetry Chaikhana besides sending out poetry? The Poetry Chaikhana is actually an extensive network, including the poem emails, a website of rich resources, a blog, a forum, a Facebook page, and now a Twitter page. It’s a lot for one person to manage in his free time (especially when that person tends to be a rather quiet, meditative type).

The main way I coordinate it all is through the custom software I developed several years ago. But that software was becoming increasingly out-of-date and not as efficient as I’d like. This past weekend I just completed a major update that will allow the Poetry Chaikhana to keep serving you its special brand of tea well into the future. You probably won’t immediately notice much change on your end, but I’ll certainly have a more relaxed smile on my face. :-)

…And a reminder that your generous donations are what allow me to do all that work behind the scenes — thank you.

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