Dec 08 2015

Ryokan – Thinking

Published by under Poetry

Thinking
by Ryokan

English version by Gabriel Rosenstock

Now that all thoughts have subsided
off I go, deep into the woods,
and pick me
a handful of shepherd’s purse.
Just like the stream
meandering through mossy crevices
I, too, hushed
become utterly clear.

— from The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology), Edited by Ivan M. Granger


/ Image by digicla /

I really like the way this poem opens…

Now that all thoughts have subsided
off I go, deep into the woods,
and pick me
a handful of shepherd’s purse.

Ryokan recognizes how thoughts grow tired of themselves and can finally fall silent. In silence, he enters the woods—a recluse, wrapped in quiet, moving slowly among the trees in search of his simple meal of wild herbs.

This is the part that really awakens:

Just like the stream
meandering through mossy crevices
I, too, hushed
become utterly clear.

He has movement, yes, but it is effortless flow. His entire life at that moment is transparent, completely clear, free from self and the silting of mind.

The poet’s entrance into the poem and disappearance into the woods creates a vacuum that draws us in after him. The whole poem is an invitation, leaving us with the question… Shall we, too, slip into the woods?


Recommended Books: Ryokan

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) The Enlightened Heart: An Anthology of Sacred Poetry The Poetry of Zen: (Shambhala Library) Dewdrops on a Lotus Leaf: Zen Poems of Ryokan Haiku: The Gentle Art of Disappearing
More Books >>


Ryokan, Ryokan poetry, Buddhist poetry Ryokan

Japan (1758 – 1831) Timeline
Buddhist : Zen / Chan

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Dec 08 2015

pure honesty

Pure, compassionate,
and devastating honesty
with yourself
is the only way.

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Dec 04 2015

Rabindranath Tagore – Ever in my life have I sought thee with my songs

Published by under Poetry

Ever in my life have I sought thee with my songs (from Gitanjali)
by Rabindranath Tagore

English version by Rabindranath Tagore

Ever in my life have I sought thee with my songs. It was they who led me from door to door, and with them have I felt about me, searching and touching my world.
      It was my songs that taught me all the lessons I ever learnt; they showed me secret paths, they brought before my sight many a star on the horizon of my heart.
      They guided me all the day long to the mysteries of the country of pleasure and pain, and, at last, to what palace gate have they brought me in the evening at the end of my journey?

— from Gitanjali, by Rabindranath Tagore


/ Image by Jomina /

I don’t know that there’s much commentary to add to this wonderful verse from Tagore’s Gitanjali. It suggests to me that poetry, the singing of songs, is a rich spiritual pathway in itself. The heightened observation, the dance of words, the flow of meaning behind the words, the flow of breath, the rhythm of the heart, and the soft silence beneath it all… We are carried door to door, guided to the mysteries, and, at last, to the palace gate…

=

The world is feeling its traumas this week. Two new mass shootings in the US, and the devastating flood in Chennai, India, among other heartbreaking events. Behind the suffering of all of these events are broken politics and social entrenchment.

What is the good of art, or poetry, or spirituality itself, when action toward social change is required? Whenever we seek change, that change must always be in service to a vision. Artists and spiritual seekers are the visionaries in society. Without our poets and prophets, change just becomes a blind game of power politics. A society that doesn’t honor its artists and spiritual visionaries lacks illumination and direction. Poetry, art, and spiritual exploration are absolutely essential in the positive evolution of society.

So read a poem. Meditate. Pray. Then figure out what is to be done.

And have a beautiful day!


Recommended Books: Rabindranath Tagore

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) Gitanjali The Lover of God The Fugitive Lover’s Gift and Crossing
More Books >>


Rabindranath Tagore, Rabindranath Tagore poetry, Yoga / Hindu poetry Rabindranath Tagore

India (1861 – 1941) Timeline
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Dec 04 2015

meaningful

Words aren’t inherently meaningful;
they are the ornaments
that accompany the flow of awareness.

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Dec 02 2015

Czeslaw Milosz – On Angels

Published by under Poetry

On Angels
by Czeslaw Milosz

All was taken away from you: white dresses,
wings, even existence.
Yet I believe in you,
messengers.

There, where the world is turned inside out,
a heavy fabric embroidered with stars and beasts,
you stroll, inspecting the trustworthy seams.

Short is your stay here:
now and then at a matinal hour, if the sky is clear,
in a melody repeated by a bird,
or in the smell of apples at close of day
when the light makes the orchards magic.

They say somebody has invented you
but to me this does not sound convincing
for the humans invented themselves as well.

The voice — no doubt it is a valid proof,
as it can belong only to radiant creatures,
weightless and winged (after all, why not?),
girdled with the lightening.

I have heard that voice many a time when asleep
and, what is strange, I understood more or less
an order or an appeal in an unearthly tongue:

day draw near
another one
do what you can.

— from Against Forgetting: Twentieth-Century Poetry of Witness, Edited by Carolyn Forche


/ Image by pareeerica /

This poem raises some interesting questions about the “modern” worldview as it wrestles with angels, and spiritual realities in general.

In the opening verse, although Milosz asserts that he believes in the “messengers” or angels, it’s also speaks from a thoroughly modern viewpoint. First, he points out the process of demythologizing, the stripping away of tangibility from the notion of angels in modern consciousness: “All was taken away from you: white dresses, / wings, even existence.”

When Milosz proclaims “Yet I believe in you, messengers,” he knows he is making a bold statement. Because of modern sensibilities, it is assumed that one does not believe in angels, at least not publicly among intellectuals. What would have been, in past centuries, a bland statement of belief, reads as startlingly sincere, maybe even intentionally naive in a modern poem.

The following verse is clearly influenced by 20th century notions of psychology and contemporary self-awareness:

They say somebody has invented you
but to me this does not sound convincing
for the humans invented themselves as well.

In the modern worldview, angels have been relegated to neurotic Freudian projections. Or, more generously, they might be thought of as universal Jungian archetypes. But they are no longer allowed to live and breathe outside the human psyche.

And the line–

weightless and winged (after all, why not?)

–that’s modern too. Questioning the literalness of wings on angels, playfully accepting the notion with the obvious assumption that most modern people would not. Even the parenthetic construction, the way it causes us as readers to stumble for a moment and pick our way through the line more carefully, that also reflects modern sensibility.

Yet, he offers us a subtler and, I think, more profound understanding of angels: not winged, robed titans of the sky and history who appear with trumpets blaring, but instead something ephemeral, delicate, all too easily missed. For him, they are the presence that rides in upon living moments and touch a hidden part of ourselves…

Short is your stay here:
now and then at a matinal hour, if the sky is clear,
in a melody repeated by a bird…

Although Czeslaw Milosz is a modern poet writing for a modern audience, what isn’t modern is his internal quiet. The modern mind is too often caught in staccato details, yet gently filling this entire poem is a sense of rest, self-acceptance, wholeness, even timelessness. This poem quietly glows.

When we adopt Milosz’s stillness and learn to truly pay attention, we might just feel the brush of angel wings “in the smell of apples at close of day / when the light makes the orchards magic.”


Recommended Books: Czeslaw Milosz

New and Collected Poems 1931 – 2001 The Collected Poems Against Forgetting: Twentieth-Century Poetry of Witness To Begin Where I Am: The Selected Prose of Czeslaw Milosz A Treatise on Poetry
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Czeslaw Milosz, Czeslaw Milosz poetry, Secular or Eclectic poetry Czeslaw Milosz

Poland (1911 – 2004) Timeline
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Dec 02 2015

faith is technique

Faith is not belief;
it is technique.

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Nov 25 2015

Han-shan (Cold Mountain) – Above Cold Mountain

Published by under Poetry

Above Cold Mountain the moon shines alone
by Han-shan (Cold Mountain)

English version by Red Pine

Above Cold Mountain the moon shines alone
in a clear sky it illuminates nothing at all
precious heavenly priceless jewel
buried in the skandhas submerged in the body

— from The Collected Songs of Cold Mountain, Translated by Red Pine


/ Image by Temporalvisions /

Something to celebrate this Thanksgiving full moon…

As a young man, Han-shan was apparently part of the privileged civil servant class, but he left his family and wealth at about age thirty to take up the life of a hermit poet, settling in a remote cave beneath a rocky overhang. It was from this natural retreat that Han-shan took his name, which means Cold Mountain or Cold Cliff.

Since Cold Mountain is Han-Shan’s name translated into English as well as the place where he lived, when he says “Above Cold Mountain the moon shines alone” it has a double meaning: He could be describing a moment in nature being observed, but he is also saying that the moon is shining above himself.

The moon, especially the full moon, has a specific metaphoric meaning in the sacred poetry of Asia. It is often used to represent the fully awakened awareness, Buddha-mind. So this poem can be read as a declaration of enlightenment. This is made doubly clear in the final lines where he says that this “heavenly… jewel” is “submerged in the body.” That is, his real subject is the “moon” of enlightenment found within.

To say that the moon “shines alone” might suggest the recognition that there is nothing other than that enlightenment. This is a nondualist statement, understood to be saying there is only Buddha-mind, only enlightenment, and nothing else truly exists.

I especially like the second line:

in a clear sky it illuminates nothing at all.

We might think of the sky is the mind, the canvas of awareness. When it is clear, the mind is free from thoughts, free from fluctuations and distracting movement. The mind is no longer agitated or trying to force reality into mental forms. Instead it finally sees reality unfiltered.

But, in that clear sky, the moon, the light of enlightenment, “illuminates nothing at all.” The moon that shines down on Han-Shan shines on nothing. In that moment of pure illumination, he recognizes the nonexistence of the objects of the mind. The only reality is the illumination itself. There is only the moon, quietly, blissfully shining…

He shifts the imagery and begins to use more technical language in the next two lines. The moon shining in the sky is now described as a “heavenly priceless jewel” that is hidden or buried in the body and something called the “skandhas.”

This might need a little extra explanation. The five skandhas, according to Buddhist thought, are the five aspects that make up a sentient being. They are material form, sensation, perception, mental tendencies, and cognition. While these allow for basic perception, understanding, and interaction with the world, they also limit the full and open awareness. They tend to reinforce the illusion of tangibility, a false idea of self, and they create attachment to an ephemeral and continuously changing phenomenal reality. All of this, in turn, leads to confusion and suffering.

But, here is their secret: Hidden within these problematic aspects of mundane consciousness is the glowing nugget, the heavenly jewel of radiant pure awareness.

Notice also the balance Han-shan gives us with these two images of enlightenment: On the one hand, enlightenment is like looking out at the full moon in the clear night sky — expansive, intangible, outward focused; on the other hand, it is discovering a jewel buried within the body and mind — contractive, internal, earthy. It is as if he has painted for us in words an image of Yin and Yang. Enlightenment is really the two recognized as one.


Recommended Books: Han-shan (Cold Mountain)

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) The Enlightened Heart: An Anthology of Sacred Poetry The Poetry of Zen: (Shambhala Library) The Collected Songs of Cold Mountain A Drifting Boat: Chinese Zen Poetry
More Books >>


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China (730? – 850?) Timeline
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Taoist

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Nov 25 2015

expediency

Never accept the logic of expediency
over compassion.
We need a world that’s less efficient
and more humane.

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Nov 21 2015

Holiday Poetry Book Recommendations 2015

Yesterday it occurred to me just how quickly the winter holidays are coming: Christmas, Hanukkah, the Solstice, Yule, Kwanzaa, New Year’s Day…

Perhaps a few of the gifts you give this year should wax poetic. Poetry lasts in ways few other gifts can. A really good poem unwraps itself a little more each time it is read, becoming a continuously opening gift to the mind and the heart.





Here is a a holiday sampler to consider as gifts for you and your loved ones:

== Poetry Chaikhana Publications ==

For the modern mystic…

Marrow of the Flame
Poems of the Spiritual Journey
by Dorothy Walters

Introduction by Andrew Harvey

The Poetry Chaikhana’s most recent publication…

Dorothy Walters explores the spiritual journey through its ecstasies, struggles, and vistas. Each step is observed with the keen insight and clear voice of a modern woman who is both a skilled poet and genuine mystic.

Dorothy Walters’s poems are immediate and inviting, transcendent and often playful. Many of these poems are in dialog, with Rumi and Rilke, Denise Levertov and Lalla, each poem contributing its own wisdom and humor to the ongoing conversation that passes between visionaries and sages through history and across cultures.

Marrow of Flame has already become a modern classic among spiritual seekers.

These poems make me gasp. Dorothy Walters–part buddha, part elf–weaves mythic literacy with subversive compassion.” ~ Mirabai Starr

READ MOREPURCHASE

also Amazon and Barnes & Noble

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and wherever books are sold

To satisfy that longing (or awaken it)…

The Longing in Between
Sacred Poetry from Around the World
(A Poetry Chaikhana Anthology)

Edited with Commentary by Ivan M. Granger

In many ways this is my most personal publication, combining favorite soul-inspiring poems from the world’s great religious and spiritual traditions, accompanied by the thoughts, meditations, commentary, and occasional tangents that have been central to the Poetry Chaikhana poem emails for years. Selections from Rumi, Whitman, Kabir, Machado, Issa, Teresa of Avila, Dickinson, Blake, Yunus Emre, John of the Cross, Lalla, and many others.

These are poems of seeking and awakening… and the longing in between.

“The Longing in Between is a work of sheer beauty. Ivan M. Granger has done a great service, not only by bringing [these poems] to public attention, but by opening their deeper meaning with his own rare poetic and mystic sensibility.”
~ ROGER HOUSDEN, author of the best-selling Ten Poems to Change Your Life series

READ MOREPURCHASE

also Amazon and Barnes & Noble

US UK CAN IND
and wherever books are sold

For the modern mystic…

Given: Poems
by Wendell Berry

Few modern poets manage to view the world with the patient eye Berry does when contemplating the purposes of life, death, and the slow pulse of the natural world. This is a favorite collect, with his Sabbath poems, several haiku and short poems. A book to savor on a slow Sunday afternoon.

Why I Wake Early
By Mary Oliver

You can’t go wrong with anything by Mary Oliver, but if you’re looking for a good introduction to her poetry, Why I Wake Early is a good place to start. This collection is one to enjoy, one poem at a time, in those quiet moments before the busyness of the day starts.





For illumination…

The Illuminated Rumi
Translations by Coleman Barks
Art by Michael Green

Excerpts of Rumi’s poetry accompanied by amazing digital collage artwork that draws you deeply into each page. This book entrances on several levels. An excellent gift book.





For the wise woman…

Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women
Edited by Jane Hirshfield

This is the first anthology I got years ago that made me say, Wow! Includes Sappho, Rabia, Yeshe Tsogyel, Hildegard von Bingen, Mechthild of Magdeburg, Hadewijch of Antwerp, Lalla, Mirabai, Bibi Hayati, Marina Tsvetaeva. The best collection I’ve found of women’s voices in sacred poetry.

The Shambhala Anthology of Women’s Spiritual Poetry
Edited by Aliki Barnstone

Another very good anthology of spiritual poetry by women, from ancient to modern times. Poets like Mirabai, Mahadevi, Lal Ded, Sappho, Sun Buer, Dickenson, Tsvetaeva. The two books together — this with Women in Praise of the Sacred — make a good collection.

For Nourishment…

Soul Food: Nourishing Poems for Starved Minds
Edited by Neil Astley and Pamela Robertson-Pearce

I came across this collection by accident, through a random recommendation on the Internet — and it has quickly become a favorite! A rich, tasty mixture of poetry by ancient and modern visionaries, from Mary Oliver and Wendell Berry to Kabir and Dogen, and several you may not have heard of before. Open to any page and discover a new treasure.





A Sampling of Sufi Wisdom…

The Shambhala Guide to Sufism
By Carl W. Ernst, Ph.D.

Not a collection of poetry, but good book to help you begin to understand who the Sufis really are. An intelligent, insightful look at the history, practices, philosophies, schools, and even politics of Sufism. If you’ve loved the poetry of Rumi but only have a vague idea of how Sufism fits within the Islamic faith, this book is a good place to start.

Tales of the Dervishes: Teaching Stories of the Sufi Masters over the Past Thousand Years
By Idries Shah

Short wisdom stories from the Sufi tradition that surprise with unexpected insight, delightful humor, and enigmatic conclusions that invite deeper contemplation. I have been rereading this favorite collection for years.

Travelling the Path of Love: Sayings of Sufi Masters
Edited by Llewellyn Vaughan-Lee

Llewellyn Vaughan-Lee has gathered together an excellent collection of short sayings and poetic excerpts from many of the great Sufi masters throughout the centuries. Gathered together in themed chapters, such as The Longing of the Heart, The Path, Mediatation and Prayer, and The Valley of Love. Open this book to any page late at night and find a hidden gem to contemplate.

For the Christian contemplative…

For Lovers of God Everywhere: Poems of the Christian Mystics
by Roger Housden

This has quickly become one of my favorite collections of sacred poetry within the many Christian traditions. John of the Cross, Merton, Hildegard von Bingen, Gibran, Dante, Meister Eckhart, Blake… and Roger Housden’s brief, thoughtful insights.

Selected Poems of Thomas Merton
by Thomas Merton

I can’t recommend this collection highly enough. Merton, in addition to being a deep mystic, was a truly excellent contemporary poet. His poems feel entirely modern, yet touch on the eternal. While drawing on Catholic imagery, one can hear whispers of Eastern philosophy and insight in his words. Poems to reread and meditate deeply upon.





For the Jewish mystic…

The Poetry of Kabbalah: Mystical Verse from the Jewish Tradition
Translated and Annotated by Peter Cole

Finally we have a truly excellent collection of sacred Jewish poetry. While T. Carmi’s Penguin Book of Hebrew Verse is more comprehensive, Cole’s The Poetry of Kabbalah has more of a poet’s sense of language and even catches of few sparks from the mystic’s fire. This is poetry that startles and transports. The Poetry of Kabbalah has become my favorite source for Jewish mystical poetry in English. Very highly recommended.





A little Zen in your pocket…

Zen Poetry: Let the Spring Breeze Enter
Edited by Lucien Stryk and Takashi Ikemoto

A good collection without being overwhelming. I especially like it’s selection of Japanese haiku: Basho, Buson, Issa, Masahide…

Haiku Enlightenment
By Gabriel Rosenstock

This book is an excellent sampling of haiku, traditional and modern, and, at the same time a wise and playful exploration of the essence of haiku insight. A bit pricey for this slim volume, but enthusiastically recommended for meditators, writers, and haiku enthusiasts. Also look for its companion volume Haiku: The Gentle Art of Disappearing.





For the Rilke lover…

Rilke’s Book of Hours: Love Poems to God
Translated by Anita Barrows and Joanna Macy

There are several very good translations of Rilke available, but I’ve slowly come to the opinion that Barrows and Macy, more than any others, get the tone just right. Their Rilke translations glow and uplift, but without losing the shadows that also haunt the spaces between his words. Perfect!

In the Company of Rilke
by Stephanie Dowrick

A lovely, insightful meditation of the poetry of Rilke and why it speaks so powerfully to us today. The perfect companion book to pair with your favorite Rilke collection.

Artist, Therapist, Shaman…

Poetic Medicine: The Healing Art of Poem-Making
By John Fox

Not a book of poetry, but a book that belongs on every poetry lover’s bookshelf. This is a book about the transformational nature of poetry – reading it, speaking it, writing it. Poetry as therapy. Poetry as a pathway to self-exploration. Poetry to rediscover your true voice. I was surprised how much I liked this book.





Lover and the Beloved…

For Love of the Dark One: Songs of Mirabai
Translated by Andrew Schelling

Andrew Schelling’s translations embody that tension between heartbreak and ecstasy that runs through all of Mirabai’s poetry. These poems can be read as love poems or as spiritual poems — but, of course, they are both.

Love’s Alchemy: Poems of the Sufi Tradition
Translated by David and Sabrineh Fideler

Another very good collection of Persian Sufi poetry. This book focuses on poems and poets that are not as well known in the West. A good place to discover some new names.

Wine of the Mystic: The Rubaiyat of Omar Khayyan: A Spiritual Interpretation
by Omar Khayyam
Commentary by Paramahansa Yogananda

A 20th century Indian Yogi commenting on the spiritual meaning of an 11th century Persian Sufi’s poetry. That combination yields both perfume and controversy — but plenty to contemplate. Lovely artwork and border scrollwork. And Fitzgerald’s delightful translation of this classic. Recommended.

Transcendent Hindu verses…

Speaking of Siva
Translated by A. K. Ramanujan

This book became an immediate favorite of mine ever since I picked up a copy of it a few years ago. Stunning poems from the Shiva bhakti tradition of India. Basava, Devara Dasimayya, Akka Mahadevi, Allama Prabhu. The commentary in the book, though a little academic, is genuinely insightful. Enthusiastically recommended!

I, Lalla: The Poems of Lal Ded
Translated by Ranjit Hoskote

There are several translations of the poetry of Lalla available in English now, good ones too, but Ranjit Hoskote’s versions are my favorite. They seem to marry a love of the original language with a poet’s sense of English, without ever losing the mystic’s fire at the center of each poem. Recommended.

And for blessings…

To Bless the Space Between Us: A Book of Blessings
by John O’Donohue

I keep being told by people how much they love this book of poetic blessings from the Irish philosopher, poet, and mystic, John O’Donohue. These poetically crafted blessings and meditations on the passages of life manage to elevate the spirit, warm the heart, and, on occasion, bring a tear to the eye.

For even more book recommendations, click here.

(I let the list get a little long this year, but, even so, I had to leave off so many amazing books. The drawback to loving so much poetry.)





Let’s remember that, in the midst of winter’s dark, this is the time to renew the light — within ourselves and our world. Regardless of religion, may we recognize our shared brotherhood and sisterhood within the human family, all within the lap of the generous green earth that is our home.

I hope you and your loved ones have a special holiday season —

— and that the new year brings you bright blessings!

Ivan

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Nov 15 2015

Sachal Sarmast – Friend, this is the only way

Published by under Poetry

Friend, this is the only way
by Sachal Sarmast

English version by Ivan M. Granger

Friend, this is the only way
to learn the secret way:

      Ignore the paths of others,
      even the saints’ steep trails.

            Don’t follow.
            Don’t journey at all.

Rip the veil from your face.

— from The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology), Edited by Ivan M. Granger


/ Image by TRAILSOURCE.COM /

I know the terrible bombings in Paris and Beirut are weighing heavily on all of our hearts right now.

Here is something I wrote in 2010 in response to another religiously motivated terrorist attack that killed several dozen people at a Sufi shrine in Pakistan. I thought it would be meaningful to share again at this moment.

Islamic extremists have certainly grabbed headlines in recent years, but the world also has its Christian extremists, Jewish extremists, Hindu extremists… as well as plenty of atheist and non-religious extremist groups. Extremism is not a problem of a particular religion; it is a disruption in the human psyche in general.

Religious extremism has very little to do with religion, if you think about it. It is partly a reflexive response to the intensely fragmenting nature of the modern world. And it is partly a reaction against unavoidable, sometimes unsettling encounters with different peoples and cultures and beliefs in our ever more integrated and multi-layered world. But mostly—mostly it is an act of desperation when the heart of true religion has been lost. People become violently obsessed with rules and traditions and texts only when they have lost the sense of what they really point to.

If you know where the Beloved lives, you are content, no need to argue with others over street names. Conflict only arises when you aren’t so certain you know the way; that’s when another person’s map threatens your certainty. Fundamentalism and extremism are an admission of that spiritual uncertainty. Absolutism is not an expression of faith; it is a symptom of the lack of faith. It is a symptom of the lack of true spiritual experience and knowledge.

The real long-term solution to the problem of violent religious extremism in the world is to reawaken that sweet, secret, sacred bliss within ourselves, to gently and generously share it with others, and to create environments nurturing to that continuing quest. The more we fill the world’s dry troughs with fresh water, the less likely it is that people will go insane with blind thirst.


Recommended Books: Sachal Sarmast

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) Real Thirst: Poetry of the Spiritual Journey Sachal Sarmast: Sindhi Poet Yaar di Gharoli / Kaafi – Sachal Sarmast: From Songs of the Mystics (mp3 song) The Story of Melting: Sachal Sarmast’s Persian Masnavi Gudaz-nama


Sachal Sarmast, Sachal Sarmast poetry, Muslim / Sufi poetry Sachal Sarmast

Pakistan/India (1739 – 1829) Timeline
Muslim / Sufi

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Nov 15 2015

Belief is not knowledge.

Belief is not knowledge.

No responses yet

Nov 11 2015

Rainer Maria Rilke – For your sake poets sequester themselves

Published by under Poetry

For your sake poets sequester themselves
by Rainer Maria Rilke

English version by Anita Barrows and Joanna Macy

For your sake poets sequester themselves,
gather images to churn the mind,
journey forth, ripening with metaphor,
and all their lives they are so alone…
And painters paint their pictures only
that the world, so transient as you made it,
can be given back to you,
to last forever.

All becomes eternal. See: In the Mona Lisa
some woman has long since ripened like wine,
and the enduring feminine is held there
through all the ages.

Those who create are like you.
They long for the eternal.
They say, Stone, be forever!
And that means: be yours.

And lovers also gather your inheritance.
They are the poets of one brief hour.
They kiss an expressionless mouth into a smile
as if creating it anew, more beautiful.

Awakening desire, they make a place
where pain can enter;
that’s how growing happens.
They bring suffering along with their laughter,
and longings that had slept and now awaken
to weep in a stranger’s arms.

They let the riddles pile up and then they die
the way animals die, without making sense of it.
But maybe in those who come after,
their green life will ripen;
it’s then that you will inherit the love
to which they gave themselves so blindly, as in a sleep.

Thus the overflow from things
pours into you.
Just as a fountain’s higher basins
spill down like strands of loosened hair
into the lowest vessel,
so streams the fullness into you,
when things and thoughts cannot contain it.

— from Rilke’s Book of Hours: Love Poems to God, by Rainer Maria Rilke / Translated by Joanna Macy


/ Image by Kathleen Maher /

I thought this poem by Rilke would be a good follow-up to Friday’s poem by Wendell Berry.

For your sake poets sequester themselves,
gather images to churn the mind,
journey forth, ripening with metaphor,
and all their lives they are so alone…

Poets and painters, each in their way are devotees, hermits, bringing what is within to birth in the world, always seeking something of the Eternal.

Those who create are like you.
They long for the eternal.

Even artists who reject classic ideas of beauty, form, structure, or balance are still seeking to express something resonant, a deeper truth, a forgotten honesty, a new awareness. Art is always concerned with the eternal. It is a holy endeavor.

And Rilke says that lovers are themselves artists, passionate seekers, creators…

And lovers also gather your inheritance.
They are the poets of one brief hour…

It is as if the romantic lover catches a glimpse of the eternal in the smile of that cherished one. It is a fleeting sort of seeking, mixed with suffering, with unclear ends to the young lovers themselves, but with an evolving potential of new life and generationally expanding awareness.

But maybe in those who come after,
their green life will ripen…

Rilke seems to say that each work of art, each moment of uncovered beauty, is inherently a mystical act.

Thus the overflow from things
pours into you.

The outer form and shape suggests something eternal and ideal behind it, yet, at the same time, is unable to contain it. The more we contemplate that elegant verse, that framed image, the blossoming smile on the lover’s mouth, we witness the luminous fulness that inspired it.

Just as a fountain’s higher basins
spill down like strands of loosened hair
into the lowest vessel,
so streams the fullness into you,
when things and thoughts cannot contain it.

That transcendent ideal, uncontained by line or word, overflows and returns back to the Eternal. If we have learned to pay attention, we too can follow.

The Mona Lisa is not a portrait of a woman who lived and died centuries ago. It is the embodiment of something more lasting than the painting itself. When we truly look, the Mona Lisa’s smile whispers to us secrets of the Eternal.

All becomes eternal.


Recommended Books: Rainer Maria Rilke

The Enlightened Heart: An Anthology of Sacred Poetry Ahead of All Parting: The Selected Poetry and Prose of Rainer Maria Rilke The Soul is Here for its Own Joy: Sacred Poems from Many Cultures Rilke’s Book of Hours: Love Poems to God In Praise of Mortality: Rilke’s Duino Elegies & Sonnets to Orpheus
More Books >>


Rainer Maria Rilke, Rainer Maria Rilke poetry, Secular or Eclectic poetry Rainer Maria Rilke

Germany (1875 – 1926) Timeline
Secular or Eclectic

More poetry by Rainer Maria Rilke

3 responses so far

Nov 11 2015

the greatest teacher

The greatest teacher
is what is
immediately in front of you.

No responses yet

Nov 06 2015

Video: Hafez, Tongue of the Hidden

Published by under Poetry,Videos

A truly stunning short film from Iran combining poetry of Hafez and animated Persian calligraphy. Watch and enjoy!

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Nov 06 2015

Wendell Berry – How to Be a Poet

Published by under Poetry

How to Be a Poet
by Wendell Berry

(To remind myself)

i
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill — more of each
than you have — inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.

ii
Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.

iii
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.

— from Given: Poems, by Wendell Berry


/ Image by Louis Vest /

Surprising, but I only discovered this poem by Wendell Berry a few months ago. Oh, I like it, don’t you?

One doesn’t have to be a poet to carried away by it. In fact, it’s not really about writing poetry at all, is it? It’s really about how to perceive and how to inhabit each moment of each day. That is when the best poetry is born.

The first verse invites is to settle down. Reading those first few lines, I feel my own slightly aging bones settling awkwardly into a state of rest and stillness. And there is the slow interior work of reading, cultivating inspiration, the private work on the blank page. I love that he lists “growing older” as one of the necessary tasks of the poet. And patience–

for patience joins time
to eternity.

The second verse seems to be more about our relationship to place, both exterior and interior space. In recent years I haven’t done so well with avoiding electric wire and screens, but there was a time some years ago when I did just that, literally. It does shift one’s sense of reality and connection to the world. The transition feels stressful at first, and then, slowly, the world around us starts to take depth and life, becoming a slow-speaking friend in constant, quiet communication.

What are the ways we have been taught to sever that connection?

There are no unsacred places;
there are only sacred places
and desecrated places.

And he concludes with that wonderful meditation on silence. We think a poem is a collection of words, but the best poetry simply gives shape to silence.

Accept what comes from silence…

make a poem that does not disturb
the silence from which it came.

Have a beautiful weekend, remembering to breathe the unconditional breath!


Recommended Books: Wendell Berry

The Collected Poems of Wendell Berry, 1957-1982 Given: Poems Selected Poems of Wendell Berry A Timbered Choir: The Sabbath Poems 1979-1997 The Mad Farmer Poems
More Books >>


Wendell Berry, Wendell Berry poetry, Secular or Eclectic poetry Wendell Berry

US (1934 – )
Secular or Eclectic

More poetry by Wendell Berry

One response so far

Nov 06 2015

mountaineers

Real mountaineers love the mountain
more than the map.

No responses yet

Nov 04 2015

Thank you – and an update

I want to say how truly thankful I am for your generous response to my request for support. Just look at this amazing list of people who have already donated online:

– Jim S., Pat J., John P., Dyan H., Theresa S., Sylvia F., Kathleen H., Mattheus N., Beth U., Susan T., Harvey G., Bill F., Linda T., Gary D., Merrilee M., David J., Deborah C., Kellie M., Anne B., Doug B., Stella M., Kris H., Julia J., Ken M., Vicki G., Joanne L., Jane W., Anne M., John H., Beki H., Monika H., Marie-Christine dK., Sue W., John W., Megha D., Jennifer T., Rosalind W., Helen G.

And I am well aware that several of you have chosen to send a contribution through the mail, which may need a few more days to arrive.

I am fully aware what a profound and personal contribution each and every one of your donations is. Considering that this is poetry and commentary you can enjoy for free, so many of you have chosen to step out of your comfort zone and fill out a donation form online or address and stamp an envelope and then, of course, offer some of your own money — $2, $10, $20, $50, in a few cases more! I never have the words to properly express my gratitude, when your donations obviously come from the heart.

Thank you, everyone!

=

We are still well short of even one-quarter of our goal of $5,000. I knew that amount was an ambitious goal, perhaps too ambitious, though we may still be surprised by further donations yet to come in.

Whatever the final result of this fundraising drive, know that it is already a huge help. The closer we can get to the goal of $5,000, the quicker I can make some of the changes that will allow me to focus more time and energy on the Poetry Chaikhana. But, if we have less to work with, I will still move toward that transition, it may just take longer.

Again, thank you!

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