Dec 12 2025

what you are

Meditation is not what you do,
it is what you are.

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Dec 05 2025

Pablo Neruda – The Poet’s Obligation

Published by under Poetry

The Poet’s Obligation
by Pablo Neruda

English version by Alistair Reed

To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell:
to him I come, and, without speaking or looking,
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a great fragment of thunder sets in motion
the rumble of the planet and the foam,
the raucous rivers of the ocean flood,
the star vibrates swiftly in its corona,
and the sea is beating, dying and continuing.

So, drawn on by my destiny,
I ceaselessly must listen to and keep
the sea’s lamenting in my awareness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the autumn’s castigation,
I may be there with an errant wave,
I may move, passing through windows,
and hearing me, eyes will glance upward
saying, “How can I reach the sea?”
And I shall broadcast, saying nothing,
the starry echoes of the wave,
a breaking up of foam and of quicksand,
a rustling of salt withdrawing,
the grey cry of sea-birds on the coast.

So, through me, freedom and the sea
will make their answer to the shuttered heart.

— from On the Blue Shore of Silence: Poems of the Sea, by Pablo Neruda / Translated by Alastair Reid


/ Image by Nina Stawski /

The poet is telling us that it is time for a prison break!

Neruda is reminding us that poetry is an act of rebellion. The most binding chains are the hidden ones we forge ourselves. Poetry frees the mind and the heart. Poetry — and, by extension, all art — is a revolutionary act, a declaration of psychic freedom. More than a declaration, it is a remembrance, a recollection of the wider, untamed life that awaits us.

All freedoms we strive for in the troubled world around us must first be imagined and felt. Through poetry and art, we shift and reawaken. That is the real freedom regardless of outer circumstance. When enough people carry within themselves that inner freedom, how can it be stopped in the world?

So, through me, freedom and the sea
will make their answer to the shuttered heart.


Recommended Books: Pablo Neruda

The Book of Questions Neruda: Selected Poems On the Blue Shore of Silence: Poems of the Sea Pablo Neruda: Selected Poems Extravagaria: A Bilingual Edition
More Books >>


Pablo Neruda, Pablo Neruda poetry, Secular or Eclectic poetry Pablo Neruda

Chile (1904 – 1973) Timeline
Secular or Eclectic

More poetry by Pablo Neruda

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Dec 05 2025

a book and a building

A book and a building are not enough.
The human spirit needs cathedrals of trees,
towering mountains, and fields
of spring wildflowers as places of prayer.

No responses yet

Nov 20 2025

Mary Oliver – What I Have Learned So Far

Published by under Poetry

What I Have Learned So Far
by Mary Oliver

Meditation is old and honorable, so why should I
not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

All summations have a beginning, all effect has a
story, all kindness begins with the sown seed.
Thought buds toward radiance. The gospel of
light is the crossroads of — indolence, or action.

Be ignited, or be gone.

— from New and Selected Poems, by Mary Oliver


/ Image by Hamed Saber /

This, to me, is an interesting poem, the way it wrestles with that age-old question of spirituality: faith or works, jnana or karma… or, as she bluntly frames it, indolence or action.

Does the seeking of wisdom lead one into such an internalized state that one abandons the world to its confusion and suffering? Even when we awaken profound compassion within ourselves, is compassion enough without action to back it up? Ultimately the question boils down to, is enlightenment a good in and of itself, or does it only fulfill itself through service?

Different traditions and teachers give us different answers. Many teachers will say that trying to “do good” without first achieving some measure of inner clarity cannot achieve its full potential. Some even say that spiritual opening has a natural resonance; the enlightened are like radio transmitters, apparently doing little, apparently silent, they broadcasting powerful waves into the world. There is even an argument that action, no matter how well intentioned, is empty and unstable without true insight, while there can be seeming inaction that shakes the universe.

Others say that spirituality and compassion without heartful action is anemic at best, that the physical and social world are themselves part of our spiritual landscape, that we must embody our spirituality on that level too. This criticism can go so far as to say that spirituality in a cave is easy, spirituality in the world is hard; that’s where we truly prove our awakening love. They argue that action always exists, even the avoidance of action is action. One must always seek to express the inner state with outer action. And for the spiritually minded, that action must be in the form of compassionate service to a struggling world.

Mary Oliver seems to finally favor the latter philosophy:

Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

Me? I have a fiery nature, and I like a statement like Mary Oliver’s. I see too much passivity in good-hearted people, myself included sometimes.

But I don’t ultimately see a great conflict with any of these philosophies. The universe is a big universe, with endless pathways for the human spirit to travel. The more we unfetter our enlightened selves, the more we naturally embody the fullness of who we are.

For some, that resolves itself into a profound stillness that is outer as well as inner. And do they not ring out from their mountaintops and closets? Do we not, on some level, hear them and ring out a little more ourselves?

For others, stillness and love seeks a pathway of expression through action and service. The healing way they use their hands, the same two hands we all possess — doesn’t it make our own fingers itch for movement?


Recommended Books: Mary Oliver

New and Selected Poems Why I Wake Early Dream Work House of Light Thirst: Poems
More Books >>


Mary Oliver, Mary Oliver poetry, Secular or Eclectic poetry Mary Oliver

US (1935 – 2019) Timeline
Secular or Eclectic

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Nov 20 2025

obsessed

People become violently obsessed
with rules and traditions and texts
only when they have lost the sense
of what they really point to.

No responses yet

Nov 14 2025

Denise Levertov – Primary Wonder

Published by under Poetry

Primary Wonder
by Denise Levertov

Days pass when I forget the mystery.
Problems insoluble and problems offering
their own ignored solutions
jostle for my attention, they crowd its antechamber
along with a host of diversions, my courtiers, wearing
their colored clothes; cap and bells.
And then
once more the quiet mystery
is present to me, the throng’s clamor
recedes: the mystery
that there is anything, anything at all,
let alone cosmos, joy, memory, everything,
rather than void: and that, O Lord,
Creator, Hallowed One, You still,
hour by hour sustain it.

— from Denise Levertov: Selected Poems, by Denise Levertov


/ Image by ryoung /

Days pass when I forget the mystery.
Problems insoluble and problems offering
their own ignored solutions…

We all wrestle with this, the demands of daily life, of work and family, all our plans and hopes and fears, the need to order everything every moment. In the midst of it all we struggle to remember that “quiet mystery.” Balancing a life in this world with that wide open wonder, it can feel like too much to achieve at times. The demands of the day sometimes demand our all. Yet it is the wonder and the mystery that fills our our lives and gives them meaning.

When “problems” fill the day, then those problems are the day’s worship. The most mundane and seemingly meaningless effort, when approached with a sense of service and a questing heart, becomes an act of beauty. And when we finally come exhausted to a quiet moment, we are ready to fall silent before the mystery. Too tired to maintain our pretenses, we rest in awe.

And then
once more the quiet mystery
is present to me…


Recommended Books: Denise Levertov

Denise Levertov: Selected Poems Poems of Denise Levertov: 1960-1967 Breathing the Water The Great Unknowing: Last Poems Candles in Babylon
More Books >>


Denise Levertov, Denise Levertov poetry, Secular or Eclectic poetry Denise Levertov

US (1923 – 1997) Timeline
Secular or Eclectic : Beat
Jewish

More poetry by Denise Levertov

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Nov 14 2025

act of seeing

The individual is really
a magical act of seeing
with no fixed eye.

No responses yet

Oct 31 2025

Ivan M. Granger – Medusa

Published by under Ivan's Story,Poetry

Medusa
by Ivan M. Granger

Medusa says –

I was wisdom
once,
black as night.

Now they call me:
      monster,
      gorgon,
      hideous-faced.

So I hide
behind this hissing curtain
of hair.

Lost
little ones,
breathe easy;
you are free
to not see.

But
what is a lonely
old lady to do?

I still wait
for some daughter,
      some son,
so wounded by the world,
to seize these snakes
and part my locks wide.

I still wait
for some bold, tired
      wild child of mine,
determined to die
seeing what’s reflected
in my unblinking eye.

— from Real Thirst: Poetry of the Spiritual Journey, by Ivan M. Granger


/ Image by Emanuello Brigant /

Something to honor the Divine Goddess (and Halloween!) today–

Every now and then I awake early, before the sun. Observing the nighttime before dawn, its embodiment of mystery, the unknown, vastness. Night brings both peace and fear. It does not distract us from ourselves. Whatever we bring with us into the night we must confront…

I read a lot of Greek mythology in my childhood. I loved the fantastical adventures, the heroes, the monsters, the convoluted relationships of the gods. I was fascinated that so many common words and phrases have their origins in the names and stories of Greek myths. It connected me with the Greek ancestry I have through my father.

And I also had the vague, semi-formed idea that there was something deeper being said in these myth stories.

I discovered something several years back that struck me: Medusa, the quintessential monster of Greek mythology, was originally a much loved Goddess. Her name comes from the Greek word “metis” (related to the Sanskrit “medha”) meaning “wisdom.” Her worship is thought to have originated in North Africa and been imported into early Greek culture. She was black-skinned, wore wild, matted hair (with, of course, snakes), stood naked, wide-eyed, and embodied the mystery of woman, the wisdom of the night, the truths too profound or terrible to face in the daylight.

Medusa is, in effect, a Mediterranean version of the Bengali Goddess Kali.

Medusa was eventually subsumed into the safer, patriarchal worship of Athena, who carries Medusa’s head upon her shield.

This discovery inspired me to look at the figure of Medusa more deeply, more reverently. What is the wisdom that terrifies? Why the snakes? Why the petrifying open-eyed stare? And how does such a bringer of terrible wisdom feel about being rejected by her children as a “monster”?

So I hide
Behind this hissing curtain
Of hair.

One way to understand the snakes about Medusa’s head is as the awakened Kundalini energy, having risen from the base of the spine to the skull — something well-understood in the Mediterranean mystery schools of the ancient world. This vital, snake-like energy is the Goddess energy. Medusa, the Goddess, is the Snake Mother.

(The more monstrous aspect of Medusa can also be understood as a rageful expression of the Kundalini, the Divine Feminine energy, when it is repressed in society. A society that does not respect the strength and mystery of Woman, that does not allow the feminine energy to move freely, that society is lost in a state of calcifying fear. Too many societies see only the terrible Gorgon when looking at the Divine Mother.)

In my poem, Medusa has formed of this feminine life-energy a curtain, a veil that hides Her Face from a world not ready to bear witness to Her. This curtain is the veil of illusion that creates an artificial sense of separation between the world and the Divine.

And the curtain does indeed hiss. When you are quiet and your thoughts settle, we begin to hear a soft sound seeming to issue from the base of the skull. Initially, it sounds like a creaking or crackling noise, a white noise, a sort of a hissing. The deeper we go into silence, the more the sound resolves itself. Eventually, we recognize it permeating our whole body and all things.

We must pass through this hissing curtain in order to meet the deep truth waiting for us on the other side.

I still wait
For some bold, tired
      Wild child of mine,
Determined to die
Seeing what’s reflected
In my unblinking eye.

Medusa’s eye does not blink. This is partly what is so terrifying about her gaze. She stares boldly out and sees Reality as it is. She sees it plainly, fearlessly, and without interruption. There is no pause for interpretation or “filtering.” Medusa’s truth is raw. She is the Divine Mother who sees all of Her Creation in every living instant.

Looking in Medusa’s eye, what is it that we see reflected? Our own self, of course. And this truly is shattering, for we see the truth about ourselves. We see the unreality of the little self, the social self, the ego self we imagine ourselves to be. That little self is a phantom, a mental creation only.

Medusa, in her shattering wisdom, does not protect us from this realization. Her love will not allow us to struggle on with such a false notion holding us back from our true nature.

Seeing this truth, we die. The little self dies.

But, in dying to the little self, our true nature suddenly shines forth. The real Self, which is one with the Divine, emerges. Every aspect of ourselves that felt broken and that we labored so long to fix, is suddenly made whole. In fact, we realize that nothing was ever broken in the first place. That sense of incompleteness was the result of denying the vastness we already are while clinging to the illusion of the little self.

This is Medusa’s gift to Her children. This is Her terrible wisdom. It is the truth that blesses us through death, and then gives us greater life than we had previously imagined possible.

Halloween, Samhain, el Dia de los Muertos. The ancestors speak to us at this time, as do our fears. In this season we face the darkness, the unknown. We rediscover the hard truths we’ve exiled and encounter the possibilities we haven’t yet dreamed.

As a child, Halloween was always one of my favorite holidays. I loved the masks and costumes, toying with notions of self and identity, a game of hide-and-seek with the world. I loved the season, the chill breeze and thick sweaters, bare branches with a few bright leaves, the brilliant daylight, bold and brief, streaming through. And, I have to admit, I loved the giddy, creeping sense of death… along with the whispered question of what might lay beyond it.

Spirits, magic, monsters, and nighttime, they evoked in me a childish delight in the sense that there was something more to the world than seen in the daylight, something hidden, secret, another reality in the shadows. I felt the holiday tugging at me, my goosebumps an invitation into secret worlds…

It is said that at this time of year the veil between this world and the Otherworld thins, when we can reconnect with the spirits of our forerunners, when we can gain unexpected insight. It is a time of magic and reconnection and stepping into the unknown.

This is the time of year when the light of summer and the harvest season recedes, the days grow shorter, and the darkness of winter takes ascendance. This is the good darkness that balances the year. With darker, shorter, colder days, we are less active and turn inward. It summons us back to the cave of the self. In this internal, inturning time we gain insight and strength and, through endurance, find ourselves renewed and ready for the new light to come in springtime. This darkness is the time of spiritual practice that prepares us for the renewed light and life of springtime. For only in darkness does new life gestate. Only in darkness do our eyes learn to see.

Let’s honor those who came before us and made a way for us in the world. Let’s discover the unknown possibilities yet available to us. And let’s celebrate the good darkness — along with the hidden light and life we discover there!


Recommended Books: Ivan M. Granger

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) This Dance of Bliss: Ecstatic Poetry from Around the World Real Thirst: Poetry of the Spiritual Journey For Lovers of God Everywhere: Poems of the Christian Mystics Diamond Cutters: Visionary Poets in America, Britain & Oceania
More Books >>


Ivan M. Granger, Ivan M. Granger poetry, Secular or Eclectic poetry Ivan M. Granger

US (1969 – )
Secular or Eclectic
Yoga / Hindu : Advaita / Non-Dualist

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Oct 31 2025

dispell

Consensus reality
is a facade
of words.

Dis-spell it.

No responses yet

Oct 17 2025

Juan Ramon Jimenez – Who Knows What is Going On

Published by under Poetry

Who Knows What is Going On
by Juan Ramon Jimenez

English version by Robert Bly

      Who knows what is going on on the other side of each hour?

      How many times the sunrise was
there, behind a mountain!

      How many times the brilliant cloud piling up far off
was already a golden body full of thunder!

      This rose was poison.

      That sword gave life.

      I was thinking of a flowery meadow
at the end of a road,
and found myself in the slough.

      I was thinking of the greatness of what was human,
and found myself in the divine.

— from The Winged Energy of Delight, Translated by Robert Bly


/ Image by Pramod Tiwari /

Who knows what is going on on the other side of each hour?

Isn’t that just a wonderful opening line? It’s one of those profound, enigmatic statements that can trip you up full stop, making the rest of the poem an afterthought.

But what is the poet saying? I think he’s encouraging us to not bring our assumptions to each experience in life. We have to encounter each experience, each hour, as it is, not as we expect it to be. This is why he turns our expectations on their head with lines like:

This rose was poison.

That sword gave life.

Every single moment holds its secret and is pregnant with surprise…

How many times the sunrise was
there, behind a mountain!

To approach life without the false certainty of what each experience holds requires a supreme humility. More than that, it requires courage, especially when things seem dark or hopeless. It requires us to cherish the unexpected possibilities of each encounter more deeply than our own accumulating history. It requires a silence of mind, a sense of wonder, and a restoration of our inherent innocence. And a boldness. But, when we truly learn to live this way, magic happens! We open ourselves and, in turn, the common things we encounter open themselves to us, revealing hidden worlds within…

I was thinking of the greatness of what was human,
and found myself in the divine.


Recommended Books: Juan Ramon Jimenez

The Winged Energy of Delight The Soul is Here for its Own Joy: Sacred Poems from Many Cultures News of the Universe: Poems of Twofold Consciousness Invisible Reality Time and Space: A Poetic Autobiography
More Books >>


Juan Ramon Jimenez, Juan Ramon Jimenez poetry, Secular or Eclectic poetry Juan Ramon Jimenez

Spain (1881 – 1958) Timeline
Secular or Eclectic

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2 responses so far

Oct 17 2025

What we seek

What we seek is never what we seek,
but the affect it has on us.

No responses yet

Oct 09 2025

Daniel Berrigan – Credentials

Published by under Poetry

Credentials
by Daniel Berrigan

I would it were possible to state in so
few words my errand in the world: quite simply
forestalling all inquiry, the oak offers his leaves
largehandedly. And in winter his integral magnificent order
decrees, says solemnly who he is
in the great thrusting limbs that are all finally
one: a return, a permanent riverandsea.

So the rose is its own credential, a certain
unattainable effortless form: wearing its heart
visibly, it gives us heart too: bud, fullness and fall.

— from Daniel Berrigan: Essential Writings (Modern Spiritual Masters), by Daniel Berrigan / Edited by John Dear


/ Image by Proseuche /

I have featured this poem before, but I find myself reading it again on this chilly October morning.

In this poem we are given a couple of images to illustrate how we should understand ourselves and be in the world. In other words, what are our credentials? By what authority and quality do we come into the world and act in the world?

Like the oak tree, we should offer our leaves “largehandedly,” giving fully of ourselves and our very nature to the world. And, in winter, in bareness, the essential form that we are comes through. By not holding back our true nature, by being fully ourselves, even when when the world demands all of us, that is when we “return” and recognize that we are part of a grand, harmonious unity, “a permanent riverandsea.”

We are our own credentials. Our credentials, our spiritual stamp of approval, is there within us, in our most natural form. I hear in the words of this Catholic priest and activist the question, how do we properly embody our “errand in the world”? How do we make it so our actions are not mere pretense? How do we instead come to embody the spirit which comes into the world through us in such a way that there is no division between being and expression?

Like the rose, we must unfold, be as we are, allowing our innermost heart to become visible, to be seen, to let its beauty be present in the world, bringing healing to the world and to ourselves. Effortless. Full. Strong. Guileless. Self-sacrificing.

So the rose is its own credential, a certain
unattainable effortless form: wearing its heart
visibly, it gives us heart too: bud, fullness and fall.

Have a beautiful day, with a blossoming heart.


Recommended Books: Daniel Berrigan

Daniel Berrigan: Essential Writings (Modern Spiritual Masters) Prayer for the Morning Headlines: On the Sanctity of Life and Death And the Risen Bread: Selected and New Poems 1957-1997 Tulips in the Prison Yard: Selected Poems of Daniel Berrigan Prison Poems: Selected Poems of Daniel Berrigan


Daniel Berrigan, Daniel Berrigan poetry, Christian poetry Daniel Berrigan

US (1921 – 2016) Timeline
Christian : Catholic

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Oct 09 2025

Use everything

Use everything:
Joy, fear, success, suffering.
A seeker doesn’t have the luxury
to waste their journey in pursuit
of easy, grand experiences.

No responses yet

Sep 26 2025

Hsu Yun – An Exquisite Truth

Published by under Poetry

An Exquisite Truth
by Hsu Yun

This is an exquisite truth:
Saints and ordinary folks are the same from the start.
Inquiring about a difference
Is like asking to borrow string
when you’ve got a good strong rope.
Every Dharma is known in the heart.
After a rain, the mountain colors intensify.
Once you become familiar with the design of fate’s illusions
Your ink-well will contain all of life and death.

— from The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology), Edited by Ivan M. Granger


/ Image by Alain Bonnardeaux /

I like what that opening statement says:

This is an exquisite truth:
Saints and ordinary folks are the same from the start.

Whether we’re talking about inspired reformers or shining examples of enlightenment, our instinct is to elevate great souls as unique phenomena. We assume they are somehow other than us. But the liberating and challenging truth is that saints are the same as everyone else. The only difference, if we want to call it a difference, is that they don’t cloak their nature as most of us have learned to do. We all have that same steady glow within us. A saint is simply someone who doesn’t damp it down.

Understood this way, the spiritual journey is not one of crushing effort to acquire virtues, to build wisdom, and to learn love. We already have all of that in abundance. The only work necessary is to let go of the assumptions that keep our true nature hidden.

Once you become familiar with the design of fate’s illusions
Your ink-well will contain all of life and death.

I think these are the lines I respond to most. I don’t know about you, but I spent so much of my life as a teenager and young adult feeling disappointed with where I found myself in the world. I wanted something profound, adventurous, bursting with meaning. Instead, I had a very ordinary lower middle-class American upbringing. I sabotaged my college education and decided to search for something deeper. Most of that search was a painful flailing about, but it did bring me adventures, both internal and external. I lived on Maui for several years. I lived high up in the Rocky Mountains. I’ve been homeless. I’ve had friends in wheelchairs, friends with wealth. I’ve known hippies and bikers and techies and farmers.

While all of that makes for good stories, that ache for something extraordinary just fell away the moment I first settled into a sense of spiritual opening. With that dawning of peace, I also found rest… and a profound sense of self-acceptance. It wasn’t that I had somehow changed into someone new and extraordinary. Instead, I felt profoundly myself for the first time, profoundly my ordinary self. And I can’t describe how blissful that recognition of ordinariness is. I no longer felt the constant need to struggle after the extraordinary; the simple and the plain stood revealed as a stunning work of art filling every day.

These lines by Hsu Yun about “fate’s illusions” remind me of how I spent the first three decades of my life struggling against my circumstances to find a fate with meaning, only to discover that the struggle was unnecessary. All I had to do was open my eyes. In every corner of the world, in every life, great and humble, the entire mystery of life and death can be found.

After a rain, the mountain colors intensify.


Recommended Books: Hsu Yun

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) A Drifting Boat: Chinese Zen Poetry A Pictoral Biography of the Venerable Master Hsu Yun Empty Cloud: The Autobiography of Chinese Zen Master, Hsu Yun


Hsu Yun, Hsu Yun poetry, Buddhist poetry Hsu Yun

China (1839 – 1959) Timeline
Buddhist : Zen / Chan

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2 responses so far

Sep 26 2025

Love everyone and everything

Love everyone and everything
with the last ounce of your being.
Love all until you are shattered
by love
and only love remains.

No responses yet

Sep 12 2025

Layman P’ang – A ghost in the mirror

Published by under Poetry

A ghost in the mirror is the mind
by P’ang Yun (Layman P’ang)

English version by Ivan M. Granger

A ghost in the mirror is the mind:
Not there, yet not unreal.
When the mind is as it is,
      the world too simply is.
Grasping neither reality nor emptiness,
you are neither holy nor wise,
just an ordinary man done with his work.


/ Image by Peter Schulz /

When the mind is as it is,
      the world too simply is.

This is such a lovely statement that seems to feed so naturally into a serene state, but it is also saying something very powerful that overturns our common assumptions.

Most often we imagine that if our lives and society and the world as a whole would just settle down, then perhaps we could experience peace. And so we turn all of our efforts outward, trying to force a sense of peace in the world. That doesn’t usually work so well, does it?

It can get to the point that turning inward, prayer, meditation can feel like a betrayal, as if we are abandoning the outer world to chaos, while we selfishly seek a separate sense of peace.

But the strange truth is that we don’t create a peaceful environment and then experience peace. The reality is the reverse. We discover peace within, and only then can begin to build it outwardly. More surprising still is that we come to see that the “world” outside of ourselves as but a reflection of our own inner state. When we discover peace within, the world comes naturally to rest as well. Does that mean problems in the world disappear? No. But we recognize the peace that underlies even those problems, and we begin to see new ways to coax that peace to the surface. At peace, in peace, we invite peace.

Grasping neither reality nor emptiness,

Enlightened awareness is not a game of carefully constructed definitions. It is not a feat of the intellect, which tends to separate and categorize perceived reality. Even at its most subtle and incisive, when the intellect tries to separate the real from the non-real, it is setting up a filter upon the awareness.

When the mind is truly at peace, not only have thoughts come to a rest, but more importantly those unconscious mental filters no longer pre-sift our perception of reality.

The poet seems to be describing a trail for us to follow, a path found precisely where existence meets Nirvana, and we must gracefully walk between the two.

Without clinging to either “reality” or “emptiness,” the whole and unfiltered vision comes upon us.

Engulfed by this truth, we are not “wise” or “holy” — those are further categories. No, we just are. We are not this or that, we are.

just an ordinary man done with his work.

We no longer feel the need to do something to validate our existence; we undeniably are. No work remains to be done. One may still be active in the world, but there is no “work” behind it, simply the dance of stillness, presence, and flow. Observers may disagree, but you understand that all that seemed important about your identity has trickled away, and you have become unremarkable, purely as you are — an ordinary fellow, alive in this extraordinary world.


Recommended Books: P’ang Yun (Layman P’ang)

This Dance of Bliss: Ecstatic Poetry from Around the World The Enlightened Heart: An Anthology of Sacred Poetry Haiku Enlightenment: New Expanded Edition The Sayings of Layman P’ang: A Zen Classic


P'ang Yun (Layman P'ang), P'ang Yun (Layman P'ang) poetry, Buddhist poetry P’ang Yun (Layman P’ang)

China (740? – 808) Timeline
Buddhist : Zen / Chan

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Sep 12 2025

secondhand

Be unsatisfied
with secondhand ideas about God.

No responses yet

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