Archive for the 'Poetry' Category

Dec 05 2018

Levi Yitzchak of Berditchov – Where I wander — You!

Published by under Poetry

Where I wander — You!
by Levi Yitzchak of Berditchov

English version by Perle Besserman

Where I wander — You!
Where I ponder — You!
Only You everywhere, You, always You.
You, You, You.
When I am gladdened — You!
And when I am saddened — You!
Only You, everywhere You!
You, You, You.
Sky is You!
Earth is You!
You above! You below!
In every trend, at every end,
Only You, everywhere You!

— from The Way of the Jewish Mystics, Edited by Perle Besserman


/ Image by Lidusha /

Happy Hanukkah! I thought this poem would be a nice celebration for us during this season of light…

I love the way this simple poem fills us with the ecstatic recognition that God is in everything, IS everything. All of existence becomes a grand game of hide-and-seek.

A chant that can open the heart and eyes:

Only You, everywhere You!
You, You, You.


Recommended Books: Levi Yitzchak of Berditchov

Music of the Sky: An Anthology of Spiritual Poetry The Way of the Jewish Mystics


Levi Yitzchak of Berditchov

Poland (1740 – 1810) Timeline
Jewish

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Nov 21 2018

May Sarton – Unison Benediction

Published by under Poetry

Unison Benediction
by May Sarton

Return to the most human,
nothing less will nourish the torn spirit,
the bewildered heart,
the angry mind:
and from the ultimate duress,
pierced with the breath of anguish,
speak of love.

Return, return to the deep sources,
nothing less will teach the stiff hands a new way to serve,
to carve into our lives the forms of tenderness
and still that ancient necessary pain preserve.

Return to the most human,
nothing less will teach the angry spirit,
the bewildered heart;
the torn mind,
to accept the whole of its duress,
and pierced with anguish…
at last, act for love.

— from May Sarton, Collected Poems, 1930-1993, by May Sarton


/ Image by me3009 /

I came across this poem today in Roger Housden’s Living and Writing Wild email newsletter (which I highly recommend). It felt like the perfect poem for today, so I thought I’d share it along with some of my own thoughts…

Return to the most human,
nothing less will nourish the torn spirit

I am so aware of how much frustration people feel over the dark turn in politics in recent years. More than frustration, there is a sense of anguish, even betrayal. For many, it is as if our vision of who we are and the future we might achieve has been defiled and damaged to the point that we no longer recognize ourselves as decent people.

As an American, how do I understand the racist, proto-fascist, violent forces emerging within my own country? At the same time, similar tendencies are appearing in the UK, India, the Philippines, and we could add several other nations to the list.

How can people of good heart not feel horrified at these developments?

While harmful forces must be answered with courage in the public arena, I want to suggest that there is something important happening on another level, as well: an enforced awakening.

We are going through a collective process of disillusionment, whether we like it or not. We are being required to drop our illusions and witness unpleasant truths, about ourselves and about the world around us. What have we ignored that has allowed such fear and hatred to fester? How have our political and social systems become so damaged that they are unresponsive to the needs and demands of society? What cruelties are encoded in society that I have ignored or made excuses for? How did we imagine things were solid, when they are so fragile? How can my neighbor believe such things, and what is his hurt that I was blind to? These are the questions we are forced to ask now.

Painful though it may be, devastating in some cases, we can only be strengthened by the process of disillusionment. We want to drop our illusions. We want to see things as they are, as fully and as clearly as possible.

Return, return to the deep sources

We might think of it as a meditative exercise. Let’s look at reality, everything we see, the terrible and the beautiful together, and just sit with it. It may break our hearts. But we just sit with it. It may fill us with moments of pure joy. But we just sit with it. It may overwhelm us with its immensity. But we don’t run, we don’t seek to merely feel good. Instead, we just sit with it. We allow ourselves to see and feel fully. We watch our reactions too, but are not hooked by them. In this way, we begin to inhabit a bigger reality, a fuller reality. Our personal sense of reality becomes more integrated and a truer reflection of what actually is. As we do this, we become more capable of fashioning healthier lives and healthier societies.

Here’s the thing that I’ve noticed in my own life, when I stop trying to assert some idea of how reality should work, and just really notice what is, at first I feel heartbroken and even humiliated. Then I feel overwhelmed. And then… everything just opens up into a vision of stunning beauty and possibility. The heart opens in unexpected ways, making healing possible where only walls seemed to stand. It’s easy to think that reality is somehow broken, but when we really look, we discover that we inhabit an improbable wholeness instead. It’s not entirely logical amidst the world’s fear and suffering, so I encourage you to look for yourself and see. Really see. Seeing the full picture, our actions become more effective and lasting. Looking honestly, we become capable of compassion and connection, where we only felt anger before.

Combining action with an expanding awareness, we return to what is most human, and by that I mean we return to what is most divine.

Return to the most human,
nothing less will teach the angry spirit,
the bewildered heart;
the torn mind,
to accept the whole of its duress,
and pierced with anguish…
at last, act for love.

May Sarton, May Sarton poetry, Secular or Eclectic poetry May Sarton

US (1912 – 1995) Timeline
Secular or Eclectic

More poetry by May Sarton

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Nov 15 2018

Naropa – The Summary of Mahamudra

Published by under Poetry

The Summary of Mahamudra
by Naropa

English version by Khenchen Thrangu Rinpoche and Erik Pema Kunsang

Homage to the state of great bliss!
Concerning what is called Mahamudra
All things are your own mind.
Seeing objects as external is a mistaken concept;
Like a dream, they are empty of concreteness.
This mind, as well, is a mere movement of attention
That has no self-nature, being merely a gust of wind.
Empty of identity, like space.
All things, like space, are equal.
When speaking of ‘Mahamudra’
It is not an entity that can be shown.
There the mind’s suchness
Is itself the state of Mahamudra.
It is neither something to be corrected nor transformed,
But when anyone sees and realizes its nature
All that appears and exists is Mahamudra,
The great all-encompassing Dharmakaya.
Naturally and without contriving, allowed simply to be,
This unimagined Dharmakaya,
Letting it be without seeking is the meditation training.
But to meditate while seeking is deluded mind.
Just as with space and a magical display,
While neither cultivating nor not cultivating
How can you be separate and not separate!
This is a yogi’s understanding.
All good deeds and harmful actions
Dissolve by simply knowing this nature.
The emotions are the great wisdom.
Like a jungle fire, they are the yogi’s helpers.
How can there be staying or going?
What meditation is there by fleeing to a hermitage?
Without understanding this, all possible means
Never bring more than temporary liberation.
When understanding this nature, what is there to bind you?
While being undistracted from its continuity,
There is neither a composed nor an uncomposed state
To be cultivated or corrected with a remedy.
It is not made out of anything
Experience self-liberated is dharmadhatu.
Thinking self-liberated is great wisdom,
Non-dual equality is dharmakaya.
Like the continuous flow of a great river,
Whatever you do is meaningful,
This is the eternal awakened state,
The great bliss, leaving no place for samasara.
All things are empty of their own identities.
This concept fixed on emptiness has dissolved in itself.
Free of concept, holding nothing in mind,
Is in itself the path of the Buddhas.
For the most fortunate ones,
I have made these concise words of heartfelt advice.
Through this, may every single sentient being
Be established in Mahamudra.

— from The Songs of Naropa: Commentaries on songs of Realization, Translated by Khenchen Thrangu Rinpoche / Translated by Erik Pema Kunsang


/ Image by Best Picko /

My wife and I first moved to Boulder, Colorado in the early 1990s. We were young and felt like adventurous vagabonds, exploring the world by moving around. Several things drew us to the area, including the natural beauty of the Rocky Mountains, better work opportunities than in our home state of Oregon, as well as the spirituality, creativity and health-focus of community.

One other thing drew us: Naropa University, a school in the area well known for its poetry and psychology programs, combined with classes on meditation and Eastern philosophies. Ironically, we never attended classes there, but we have friends who are graduates, and the school has helped to shape Boulder culture in beautiful ways.

Yet I don’t think I have ever featured a poem by the great Buddhist master Naropa, until today.

Concerning what is called Mahamudra

Mahamudra literally translates as “the Great Seal.” This term is rich in meaning, especially within Tibetan Buddhism. We might say that Mahamudra is the clear and enlightened recognition of all levels of reality.

We can think of it as a “seal” in that it has the stamp of confirmation. This is unfettered awareness of how reality really is.

Mahamudra is both the goal and it is also the practice or the pathway to reach that goal.

All things are your own mind.
Seeing objects as external is a mistaken concept

This is a difficult one for most of us reared within the Western mindset that has a primarily materialistic understanding of reality. Even if we hold to religious or spiritual ideals, that relationship to the world around us as a physical and sensory experience is often quite ingrained.

So what do we make of statements like “all things are your own mind”? How can external objects not be external?

We can read a lot of Eastern philosophy and begin to build a conceptual framework that allows a statement like that to seem less absurd, but at best it is a fragile idea that comes under heavy assault when we are confronted with life’s next intense, apparently external challenge. The conceptualizing mind can’t fully encompass this notion, no matter how subtle and refined we think it out.

The problem for the intellect is that, as our meditation deepens and the mind clears, this is precisely what we perceive. Everything we imagine to be outside of ourselves is actually within ourselves. And everything we think of as tangible, fixed, and “real,” is actually revealed to be merely a surface appearance that is part of a deeper, highly fluid reality.

Like a dream, they are empty of concreteness.

Naturally, we must explore what the mind is. We often imagine that we are the mind, that the mind is the self. Thinking that, we have little or no control over the mind. But the mind isn’t really a lasting “thing” is ourself or exists outside of ourself. What we think of as the mind only exists when the awareness is in motion.

This mind, as well, is a mere movement of attention
That has no self-nature, being merely a gust of wind.
Empty of identity, like space.

When we bring the awareness to deep stillness, we discover that the mind doesn’t exist at all. Awareness remains, but mind is nowhere to be found.

It is like the wind: The air is always there, but the wind only exists when the air is disturbed and in motion. Its true nature is wide open, reaching in all directions at once.

There the mind’s suchness
Is itself the state of Mahamudra.

In Buddhist writings, we often come across the odd word “suchness” or “thusness.” This is a translation of the word Tathata. Tathata is the way a thing truly is beyond the ability of names or concepts to define it. It is the true, radiant, blissful nature of reality.

Naropa is affirming that the mind’s true nature, that is, full and open awareness, is nothing less than the full embodiment of reality.

It is neither something to be corrected nor transformed,

So often in spiritual practice we try to bring the mind under control. We work so hard to keep the mind focused on “spiritual” things and away from distractions or fixations. And, yes, that can be important.

But Naropa is giving us a deeper teaching. The shifting surface focus we call mind is only problematic when we imagine that is all that mind is and all that we are. As we begin to recognize the full awareness, we see that its expanse already encompasses everything, needing nothing added or subtracted, while the phenomenon of “mind” is simply the shifting of currents that settles of its own accord when we let it.

But when anyone sees and realizes its nature
All that appears and exists is Mahamudra,

Another key Buddhist term is then mentioned: Dharmakaya–

The great all-encompassing Dharmakaya.
Naturally and without contriving, allowed simply to be,

Dharmakaya literally means “truth body.” It is one’s true spacious being underlying all appearance or phenomenal experience. It is the foundation ground of self and being experienced by awakened masters.

Naropa is showing how these important concepts are linked, that their elevated states actually flow into each other and reveal themselves to be the same.

No-Mind -> Full Awareness -> Inherent Being -> Truth Body

Letting it be without seeking is the meditation training

This, I think, is Naropa’s core statement for the seeker: Don’t seek. Instead, recognize the true nature of things already present. Don’t look to the horizon. Wherever we are, just stop and see. That’s the tricky part. Before we can see, we must first stop. We don’t need to dominate the mind and force it to stop, but we do need to stop being carried away by every little thing caught in the shifting movements of the mind. That’s when the vision clears and we see all around for the first time.

While neither cultivating nor not cultivating
How can you be separate and not separate!

We don’t actually need to change anything about ourselves. Rather, we need to settle into ourselves. We need to be as we are. When we do that, then our outer selves naturally become an expression of the true being we actually are — no effort required to coax or curtail our actions and energies.

Like the continuous flow of a great river,
Whatever you do is meaningful,

Rather than an endless effort of trying to catch and correct every thought and emotion (and the actions that proceed from them), Naropa’s teachings allow us to recognize our destination in this very moment, discovering our true nature in our very selves right now.

Through this, may every single sentient being
Be established in Mahamudra.

PS – To all of my friends near the fires in California, be safe.


Recommended Books: Naropa

The Songs of Naropa: Commentaries on songs of Realization Illusion’s Game: The Life and Teachings of Naropa


Naropa, Naropa poetry, Buddhist poetry Naropa

India (1016 – 1100) Timeline
Buddhist : Tibetan

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Nov 09 2018

Yunus Emre – Let’s Take Yunus Emre

Published by under Poetry

Let’s Take Yunus Emre
by Yunus Emre

English version by Jennifer Ferraro & Latif Bolat

Let’s be companions, the two of us.
      Let’s go to the Friend, my soul.

Let’s be close intimates, the two of us.
      Lets go to the Friend, my soul.

Let’s go before this life is over,
Before our bodies disappear,
Before enemies come between us —

      Let’s go to the Friend, my soul.

Come on, let’s go. Don’t remain alone.
Let’s be a chisel in the Friend’s hand.
The only stop will be our sheikh’s station.

      Let’s go to the Friend, my soul.

Let’s leave our towns and cities
and gladly suffer for the Friend.
Let’s wrap our arms around our Beloved’s waist.

      Let’s go to the Friend, my soul.

Let’s not be bewildered by the world.
Let’s not be cheated by its sudden dying.
Let’s not sit together never touching.

      Let’s go to the Friend, my soul.

Let’s give up this transient world
and fly to the lasting land of the Friend.
Let’s give up all the playthings of the nafs.

      Let’s go to the Friend, my soul.

Be a guide to me on this journey.
Let’s set our destination at the Friend,
Not thinking where we begin or end.

      Let’s go to the Friend, my soul.

This world isn’t everlasting.
With eyes half-open it is tempting.
Be a companion of lovers and a lover.

      Let’s go to the Friend, my soul.

Before the news of death reaches us,
Before the hour when he grabs us by the collar,
Before Azrail makes his sudden move,

      Let’s go to the Friend, my soul.

Let’s arrive at the Divine Truth
and inquire there about Reality.
      Let’s take Yunus Emre with us —

            and go to the Friend, my soul.

— from Quarreling with God: Mystic Rebel Poems of the Dervishes of Turkey, Translated by Jennifer Ferraro / Translated by Latif Bolat


/ Image by Elizabeth Alice /

I like this image of calling to the soul to become a traveling companion on the road to the Friend.

Let’s go to the Friend, my soul.

It’s humorous when you think about it. The soul is already a part of ourselves, why should we have to coax it? We might even say that the soul is who we are. Wouldn’t the soul already be on the journey to the Friend, perhaps already at the Friend’s door?

Let’s be companions, the two of us.
      Let’s go to the Friend, my soul.

Let’s be close intimates, the two of us.
      Lets go to the Friend, my soul.

On that journey, best to convince the soul to be a close companion.

And what other part of the self is speaking? It would seem to be the surface sense of self, the little self, the ego, the nafs. You get the feeling that the self doing the speaking is actually the hesitant one, trying to convince itself. There’s a sort of self-teasing here, a bit of bravado while gathering courage for the journey.

Who is this Azrail who will make a “sudden move”? Azrail or Azrael is the name sometimes given to the angel of death. Many religious types have an idea that, so long as they have subscribed to the “right” form of religion, they will magically end up in some heavenly realm after death, with no journey involved. Mystics like Yunus Emre remind us that the soul’s journey is the only way to the Friend and the entire purpose of life, something to be engaged in now in the midst of life.

Let’s arrive at the Divine Truth
and inquire there about Reality.

We all need a nudge, and the best nudge comes from within.

Let’s go to the Friend, my soul.

And, oh yes–

Let’s take Yunus Emre with us

— take yourself with you.


Recommended Books: Yunus Emre

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) Poetry for the Spirit: Poems of Universal Wisdom and Beauty Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems The Drop That Became the Sea: Lyric Poems of Yunus Emre Quarreling with God: Mystic Rebel Poems of the Dervishes of Turkey
More Books >>


Yunus Emre, Yunus Emre poetry, Muslim / Sufi poetry Yunus Emre

Turkey (1238 – 1320) Timeline
Muslim / Sufi

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Oct 31 2018

Abhishiktananda – Return within

Published by under Ivan's Story,Poetry

Return within
by Abhishiktananda, Swami (Henri Le Saux)

English version by H. Sandeman (?)

Return within,
to the place where there is nothing,
and take care that nothing comes in.
Penetrate to the depths of yourself,
to the place where thought no longer exists,
and take care that no thought arises there!
There where nothing exists,
Fullness!
There where nothing is seen,
the Vision of Being!
There where nothing appears any longer,
the sudden appearing of the Self!
Dhyana is this!

— from Guru and Disciple: An Encounter with Sri Gnanananda, a Contemporary Spiritual Master, by Swami Abhishiktananda / Translated by H. Sandeman


/ Image by MikkoLagerstedt /

Return within…

A powerful description of deep meditation. (The word dhyana in the last line means meditation.)

There where nothing exists,
Fullness!

=

I have received several notes asking when the poem emails will resume. I had a particularly challenging chronic fatigue crash a couple of weeks ago, and I have been regrouping since then, recalibrating my health regime while doing my best to maintain my work hours with my day job. It may take me a couple more weeks to get into a regular pattern with the poetry emails once again. But I am generally improving and more Poetry Chaikhana will be coming your way soon!

I am also very aware of how much our attention here in the US and in the world is being taken up by the upcoming mid-term elections, by the terrible shooting of worshippers at the synagogue in Pittsburgh, and, for many, the sense of betrayal at the recent confirmation of Kavanaugh to the US Supreme Court. That’s just a partial list.

It is important that, in the midst of however we reach out to help in the world, we remember to regularly “return within.” It is that inner connection that imbues our outer action with its meaning and strength and resonance in the world.

Sending love to you all.


Recommended Books: Abhishiktananda, Swami (Henri Le Saux)

Guru and Disciple: An Encounter with Sri Gnanananda, a Contemporary Spiritual Master The Secret of Arunachala: A Christian Hermit on Shiva’s Holy Mountain The Further Shore Swami Abhishiktananda: Essential Writings Prayer
More Books >>


Abhishiktananda, Swami (Henri Le Saux), Abhishiktananda, Swami (Henri Le Saux) poetry, Christian poetry Abhishiktananda, Swami (Henri Le Saux)

France, India (1910 – 1973) Timeline
Christian : Catholic
Yoga / Hindu : Advaita / Non-Dualist

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Oct 12 2018

Kamalakanta – O Kali, my Mother full of Bliss!

Published by under Poetry

O Kali, my Mother full of Bliss!
by Kamalakanta

O Kali, my Mother full of Bliss!
Enchantress of the almighty Shiva!
In Thy delirious joy Thou dancest,
clapping Thy hands together!
Eternal One! Thou great First Cause,
clothed in the form of the Void!
Thou wearest the moon upon Thy brow.
Where didst Thou find Thy garland of heads
before the universe was made?
Thou art the Mover of all that move,
and we are but Thy helpless toys;
We move alone as Thou movest us
and speak as through us Thou speakest.
But worthless Kamalakanta says,
fondly berating Thee:
Confoundress! With Thy flashing sword
Thoughtlessly Thou hast put to death
my virtue and my sin alike!

— from Kali: The Black Goddess of Dakshineswar, by Elizabeth U. Harding


/ Image by Chobist /

Many of my Hindu friends are celebrating Navratri right now, the nine nights of the Great Goddess. Some traditions divide Navratri into three sets of three nights: the first three dedicated to Durga or Kali, who clears out the old and out of balance to make way for more divine manifestations of life; the next three nights are dedicated to Lakshmi, who grants wealth, both spiritual and material; while the final three nights are dedicated to Saraswati, the goddess of wisdom.

I thought I’d select this poem for us today…

To appreciate this poem we need to know a few things about the traditional Hindu representations of the Goddess.

In Hindu tradition and metaphysics, the Goddess represents many aspects of the Divine. The iconography we find in Hinduism gives us a fascinating kaleidoscope of meaning. The Goddess can represent Mother, the Great Source, the Void/Womb from which all are born, Manifestation, Creation, Vibration, Speech, Song, the Arts, Beauty, Darkness, Mystery, all of the World (and all its Illusions). But with birth, also comes death, with manifestation, also comes dissolution; anything with a beginning also has an end. Only the eternal is eternal. So the Goddess, Mother and Manifestor, is also sometimes portrayed as Destroyer. She is Life and Death both. She is the Power that brings all into being, animates and enlivens the universe, and also draws it back into non-being. But even in Her fiercest aspect, the Mother Goddess is loving. For Her, death is merely the death of illusion and the return to Self.

Many Westerners at first find the iconography associated with the goddess Kali unsettling and can’t understand why so many beloved saints, like the gentle Ramakrishna, were so deeply devoted to her. Let’s spend a few moments contemplating this powerful representation of the Divine Feminine…

Kali is sometimes called the Dark Mother: beautiful, wild, and terrible. She is depicted dancing in ecstasy upon a battle field, slaying demons in her fierce bliss.

Her skin is black and she is naked, symbolic of the Eternal Void with which she clothes herself.

Thou wearest the moon upon Thy brow.

She wears the moon upon her brow (as does her husband, Shiva), symbolizing the open spiritual eye and spiritual illumination. The crescent moon has the additional metaphorical meaning of mastery over the feminine, cyclical aspect of manifest nature, the way it ebbs and flows, grows full and then diminishes.

Where didst Thou find Thy garland of heads
before the universe was made?

Kali wears a garland of severed heads, a startling image, but one of deep spiritual significance. These are the heads of slain demons, each a spiritual impediment that she has removed. Well, she hasn’t really removed them; in slaying the demons, she has freed them, so that now their heads rest in bliss upon her breast.

Further, each head, severed at the neck, represents a specific sound; collectively, the heads represent the sound of divine speech, the foundational vibration or Eternal Word, through which the universe is manifested.

Confoundress! With Thy flashing sword
Thoughtlessly Thou hast put to death
my virtue and my sin alike!

We often get teasing lines like this in sacred poetry. In the deep spaces of bliss, when the ego identity has disappeared and thought has ceased, the tensions we associated with doing “good” or “bad” also disappear. This does not mean that one cannot distinguish between right and wrong, quite the opposite; one sees clearly for the first time. But there is no projection of “should” or “shouldn’t.” Instead, there is a profound sense of what simply is, and what is potential. The feeling of being caught in a tug-of-war between opposites and social compulsions vanishes. To the thinking mind, the mind chained to the ego, this is indeed confounding.

Kali can express a terrifying face of the Divine, but there is a reverse side to this. She may inspire terror, yes, but only in that which is out of harmony with the Eternal Will; seeing the Goddess, such energies know their end has come. If we ourselves cling to such disharmonious qualities, then we too may fear her. But when we let go of such clinging, approaching this great, formless Goddess with humility and courage, then terror is transformed into awe and overwhelming bliss.

You can say that this Dark Mother loves all her children so fiercely that she refuses to let any of us remain chained to comfortable but lethal delusions. Every soul needs such a loving, liberating mother, even when we don’t always appreciate her…

It’s a crisp autumn morning here. The snow from the last few days never quite stuck, the air is clear. The aspen leaves dance in green and gold, glistening in the light. Remember the beauty all around you!


Recommended Books: Kamalakanta

Singing to the Goddess: Poems to Kali and Uma from Bengal Kali: The Black Goddess of Dakshineswar


Kamalakanta

India (1769? – 1821?) Timeline
Yoga / Hindu : Shakta (Goddess-oriented)

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Oct 10 2018

Izumi Shikibu – Although the wind

Published by under Poetry

Although the wind
by Izumi Shikibu

English version by Jane Hirshfield

Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.

— from Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women, Edited by Jane Hirshfield


/ Image by Manwathiell /

I have several loved ones feeling particular frustration and rage at how they have been treated after finding the courage to speak out about private traumas, only to be ignored and treated with contempt by a system that would rather maintain its fading myths than its heart.

An excerpt of something I posted on Facebook a few days ago–

I try to remind myself that the greatest healers in the world are often themselves wounded in some way. The ways we find to survive trauma can open us to deep truths about ourselves and the world, unlocking hidden strength. We might, for the first time, find our authentic voice. Sometimes our job is just to cry out with such a great pure ache that the world has no choice but to stop and let its heart break open. Survivors carry the medicine the world needs, whether or not the world is smart enough to recognizes it.


Recommended Books: Izumi Shikibu

Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women The Enlightened Heart: An Anthology of Sacred Poetry


Izumi Shikibu

Japan (974? – 1034?) Timeline
Buddhist : Zen / Chan

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Oct 01 2018

Mevlana Jelaluddin Rumi – Inner Wakefulness

Published by under Poetry

Inner Wakefulness
by Mevlana Jelaluddin Rumi

English version by Coleman Barks

This place is a dream
only a sleeper considers it real
then death comes like dawn
and you wake up laughing
at what you thought
was your grief

A man goes to sleep in the town
where he has always lived
and he dreams
he’s living in another town
in the dream he doesn’t remember
the town he’s sleeping in his bed in
he believes the reality
of the dream town
the world is that kind of sleep

Humankind is being led
along an evolving course,
through this migration
of intelligences
and though we seem
to be sleeping
there is an inner wakefulness,
that directs the dream
and that will eventually
startle us back
to the truth of
who we are

— from The Essential Rumi, Translated by Coleman Barks


/ Image by psdlights /

Yesterday, September 30th, was Rumi’s 811th birthday. Happy birthday, Rumi!

Mevlana Jelaluddin Rumi is a titanic, open-hearted figure in the world, and his influence throughout the world and down through the centuries is immense. The continuing ripple effects of his poetry and his spirit have much more impact on most lives today than mere kings or generals. That’s the sort of hero the world really needs.

There is something so gentle about this selection, an easy description of sleeping, dreaming, evolution, and waking up laughing. Yet it can startle us awake.

This place is a dream
only a sleeper considers it real

Dreams and waking up… The metaphor of being spiritually “awake” is used a lot but not always with deep reflection. It is an easy concept to grasp, though it’s not taken very seriously most of the time because, of course, the person thinking about the idea of waking up is already awake in the most literal sense, right? The surprising answer is, Not really.

The experience of sudden spiritual opening reported by most mystics is surprisingly one of actually waking up. It’s as if we have been drifting through life in a dream state and just not known it. Nothing around us has changed, but we finally, truly see things as they are. The dream-like trance-mind of assumptions and projections that has stifled our perception for so long falls away like a heavy blanket. We blink, look around, and are surprised to realize we have been in a sort of half-seeing fog all of our life… and now we are awake for the first time.

and you wake up laughing
at what you thought
was your grief

Perhaps just as surprising — and much more confusing to the intellect — is the simultaneous recognition that while we were in that dream state, there was still some part of our awareness that was always fully awake, patiently watching in the background. It’s just that now that inner wakefulness has come to the forefront.

and though we seem
to be sleeping
there is an inner wakefulness

…A reminder to us that we don’t really need to “wake up;” instead, we just need to get out of the way of that part of ourselves that is already awake.

From a purely poetic point of view, I really like the lines–

Humankind is being led
along an evolving course,
through this migration
of intelligences

To me this suggests that each experience, each “dream,” each person’s life is part of a grand migration of the human spirit, a journey of deepening remembrance and renewal.


Recommended Books: Mevlana Jelaluddin Rumi

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) Poetry for the Spirit: Poems of Universal Wisdom and Beauty Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems Perfume of the Desert: Inspirations from Sufi Wisdom Open Secret: Versions of Rumi
More Books >>


Mevlana Jelaluddin Rumi, Mevlana Jelaluddin Rumi poetry, Muslim / Sufi poetry Mevlana Jelaluddin Rumi

Afghanistan & Turkey (1207 – 1273) Timeline
Muslim / Sufi

Continue Reading »

4 responses so far

Sep 28 2018

Ivan M. Granger – Medusa

Published by under Poetry

Medusa
by Ivan M. Granger

Medusa says –

I was wisdom
once,
black as night.

Now they call me:
      monster,
      gorgon,
      hideous-faced.

So I hide
behind this hissing curtain
of hair.

Lost
little ones,
breathe easy;
you are free
to not see.

But
what is a lonely
old lady to do?

I still wait
for some daughter,
      some son,
so wounded by the world,
to seize these snakes
and part my locks wide.

I still wait
for some bold, tired
      wild child of mine,
determined to die
seeing what’s reflected
in my unblinking eye.

— from Real Thirst: Poetry of the Spiritual Journey, by Ivan M. Granger
Or order through Wordery and have it shipped anywhere in the world for free!


/ Image by Emanuello Brigant /

Something to honor the Divine Goddess today–

I don’t do it as often these days, but every now and then I awake early, before the sun. Observing the nighttime before dawn, its embodiment of mystery, the unknown, vastness. Night brings both peace and fear. It does not distract us from ourselves. Whatever we bring with us into the night we must confront…

I read a lot of Greek mythology in my childhood. I loved the fantastical adventures, the heroes, the monsters, the convoluted relationships of the gods. I was fascinated that so many common words and phrases have their origins in the names and stories of Greek myths. It connected me with the Greek ancestry I have through my father.

And I also had the vague, semi-formed idea that there was something deeper being said in these myth stories.

I discovered something several years back that struck me: Medusa, the quintessential monster of Greek mythology, was originally a much loved Goddess. Her name comes from the Greek word “metis” (related to the Sanskrit “medha”) meaning “wisdom.” Her worship is thought to have originated in North Africa and been imported into early Greek culture. She was black-skinned, wore wild, matted hair (with, of course, snakes), stood naked, wide-eyed, and embodied the mystery of woman, the wisdom of the night, the truths too profound or terrible to face in the daylight.

Medusa is, in effect, a Mediterranean version of the Bengali Goddess Kali.

Medusa was eventually subsumed into the safer, patriarchal worship of Athena, who carries Medusa’s head upon her shield.

This discovery inspired me to look at the figure of Medusa more deeply, more reverently. What is the wisdom that terrifies? Why the snakes? Why the petrifying open-eyed stare? And how does such a bringer of terrible wisdom feel about being rejected by her children as a “monster”?

So I hide
Behind this hissing curtain
Of hair.

One way to understand the snakes about Medusa’s head is as the awakened Kundalini energy, having risen from the base of the spine to the skull — something well-understood in the Mediterranean mystery schools of the ancient world. This vital, snake-like energy is the Goddess energy. Medusa, the Goddess, is the Snake Mother.

(The more monstrous aspect of Medusa can also be understood as a rageful expression of the Kundalini, the Divine Feminine energy, when it is repressed in society. A society that does not respect the strength and mystery of Woman, that does not allow the feminine energy to move freely, that society is lost in a state of calcifying fear. Too many societies see only the terrible Gorgon when looking at the Divine Mother.)

In my poem, Medusa has formed of this feminine life-energy a curtain, a veil that hides Her Face from a world not ready to bear witness to Her. This curtain is the veil of illusion that creates an artificial sense of separation between the world and the Divine.

And the curtain does indeed hiss. When you are quiet and your thoughts settle, we begin to hear a soft sound seeming to issue from the base of the skull. Initially, it sounds like a creaking or crackling noise, a white noise, a sort of a hissing. The deeper we go into silence, the more the sound resolves itself. Eventually, we recognize it permeating our whole body and all things.

We must pass through this hissing curtain in order to meet the deep truth waiting for us on the other side.

I still wait
For some bold, tired
      Wild child of mine,
Determined to die
Seeing what’s reflected
In my unblinking eye.

Medusa’s eye does not blink. This is partly what is so terrifying about her gaze. She stares boldly out and sees Reality as it is. She sees it plainly, fearlessly, and without interruption. There is no pause for interpretation or “filtering.” Medusa’s truth is raw. She is the Divine Mother who sees all of Her Creation in every living instant.

Looking in Medusa’s eye, what is it that we see reflected? Our own self, of course. And this truly is shattering, for we see the truth about ourselves. We see the unreality of the little self, the social self, the ego self we imagine ourselves to be. That little self is a phantom, a mental creation only.

Medusa, in her shattering wisdom, does not protect us from this realization. Her love will not allow us to struggle on with such a false notion holding us back from our true nature.

Seeing this truth, we die. The little self dies.

But, in dying to the little self, our true nature suddenly shines forth. The real Self, which is one with the Divine, emerges. Every aspect of ourselves that felt broken and that we labored so long to fix, is suddenly made whole. In fact, we realize that nothing was ever broken in the first place. That sense of incompleteness was the result of denying the vastness we already are while clinging to the illusion of the little self.

This is Medusa’s gift to Her children. This is Her terrible wisdom. It is the truth that blesses us through death, and then gives you greater life than we had previously imagined possible.


Recommended Books: Ivan M. Granger

The Longing in Between: Sacred Poetry from Around the World (A Poetry Chaikhana Anthology) Real Thirst: Poetry of the Spiritual Journey For Lovers of God Everywhere: Poems of the Christian Mystics Diamond Cutters: Visionary Poets in America, Britain & Oceania Poems of Awakening: An International Anthology of Spiritual Poetry
More Books >>


Ivan M. Granger, Ivan M. Granger poetry, Secular or Eclectic poetry Ivan M. Granger

US (1969 – )
Secular or Eclectic
Yoga / Hindu : Advaita / Non-Dualist

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7 responses so far

Sep 26 2018

Wendell Berry – Manifesto: The Mad Farmer Liberation Front

Published by under Poetry

Manifesto: The Mad Farmer Liberation Front
by Wendell Berry

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.

So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.

Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion – put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

— from The Mad Farmer Poems, by Wendell Berry


/ Image by legends2k /

A manifesto from the fields and the topsoil to mark the change of seasons. A reminder of what’s real. A reminder to regularly push that mental reset button. A reminder to remain a healthy, cantankerous human standing amidst wonders…

So, friends, every day do something
that won’t compute. Love the Lord.
Love the world.

Put your faith in the two inches of humus
that will build under the trees
every thousand years.

As soon as the generals and the politicos
can predict the motions of your mind,
lose it.

Practice resurrection.

Have a beautiful day!


Recommended Books: Wendell Berry

The Collected Poems of Wendell Berry, 1957-1982 Given: Poems Selected Poems of Wendell Berry A Timbered Choir: The Sabbath Poems 1979-1997 The Mad Farmer Poems
More Books >>


Wendell Berry, Wendell Berry poetry, Secular or Eclectic poetry Wendell Berry

US (1934 – )
Secular or Eclectic

More poetry by Wendell Berry

3 responses so far

Sep 19 2018

Niyazi Misri – Now No Trace Remains

Published by under Poetry

Now No Trace Remains
by Niyazi Misri

English version by Jennifer Ferraro & Latif Bolat

I thought that in this whole world
      no beloved for me remained.

Then I left myself.
      Now no stranger in the world remains.

I used to see in every object a thorn
      but never a rose–

the universe became a rose garden.
      Not a single thorn remains.

Day and night my heart
      was moaning “Ahhh!”

I don’t know how it happened–
      now no “Ahhh” remains.

Duality went, Unity came.
      I met with the Friend in private;

The multitude left, the One came.
      Only the One remains.

Religion, piety, custom, reputation–
      these used to matter greatly to me.

O Niyazi — what has happened to you?
      No trace of religion now remains.

— from Quarreling with God: Mystic Rebel Poems of the Dervishes of Turkey, Translated by Jennifer Ferraro / Translated by Latif Bolat


/ Image by Broken-Beloved /

I thought that in this whole world
      no beloved for me remained.

There is much that is beautiful and attractive in the world: people, possessions, experiences. But do we love them or only love how they bolster our own self-image? They evolve, change, come and go, and so do we. They may give us a glimpse of the Divine Beloved beneath the surface, but until we learn to really look, that beautiful glimpse is fleeting. And they don’t do a great job in the long run of sustaining our fragile egos. Natural evolution, ours and that of the world around us, can feel like a betrayal. When we cling to surfaces and our own needy egos, it can feel like we have been abandoned by the Beloved.

So long as we cling to the little self, everyone and everything else is separate and vaguely threatening. The ego asserts itself by continuously keeping itself in psychic opposition to everything it has defined as being outside itself. To the ego, everything is either a possession or an enemy.

The ego pretends it is the center of reality while separating itself from the holistic vision of reality. In doing so, the ego makes itself both the prisoner and the prison guard.

In that shattered vision of a reality of separated fragments, we become blind to the true nature of reality — and the beloved is not seen. Even those soul-healing glimpses are hard to come by, rarely acknowledged even when seen.

Then I left myself.
      Now no stranger in the world remains.

But when when we finally step outside the artificial boundaries of the little self, the mesmerizing but ever incomplete world of duality fades, to be replaced by the vision of beauty and unity, in which there is no other and everything reflects the Beloved.

Duality went, Unity came.
      I met with the Friend in private;

The multitude left, the One came.
      Only the One remains.

We finally see how we flow into each other, how we are interwoven into a single, unified fabric of Reality. No one and nothing is outside of ourselves. That is when we can truly proclaim with Niyazi Misri that “Now now stranger in the world remains.”

I used to see in every object a thorn
      but never a rose–

the universe became a rose garden.
      Not a single thorn remains.

The rose unfolds in a gentle circling that invites one to yield inward. The rose is a symbol of lovers and of union. The rose resonates strongly with the gently awakened heart.

The rose, with its wine-like scent and deep red color, is sometimes thought of as a more tangible embodiment of wine — the drink of communion.

Religion, piety, custom, reputation–
      these used to matter greatly to me.

I love this Sufi iconoclasm. When deep realization comes, mystics have the troubling tendency to drop the forms of their religion. When the Eternal is finally recognized as here, now, alive in every way and in every form, the prescribed and proscribed ways of holiness lose their meaning.

O Niyazi — what has happened to you?
      No trace of religion now remains.

This is not to say that one should immediately reject the recommended practices of one’s tradition. It is simply a reminder for us that the path, whichever one we follow, leads us to a Goal. Having reached the destination, the path has then served its purpose. At that point, clinging to the old practices is more about wanting to be seen by others to be devout. Is that important? If one’s role is to act as a beacon to draw others to a similar path, then perhaps it is. For other realized individuals, however, it might suggest a vanity that has been left behind. To the person of attainment, there are no “others” anyway, so who is the pious show for?

Of course, the louder one proclaims this truth, the more friends one loses among the keepers of the faith. Those troublesome mystics…


Recommended Books: Niyazi Misri

Quarreling with God: Mystic Rebel Poems of the Dervishes of Turkey


Niyazi Misri

Turkey (1616 – 1694) Timeline
Muslim / Sufi

Continue Reading »

7 responses so far

Sep 12 2018

This Dance of Bliss Now Available Everywhere!

THE BIG ANNOUNCEMENT:

It’s here! This Dance of Bliss is now publicly available to everyone online through sites like Amazon and Barnes & Noble.

For readers outside the US, This Dance of Bliss is now available through international online book sites.

You can also purchase This Dance of Bliss by requesting it through your local independent bookstore.

This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger
This Dance of Bliss

Ecstatic Poetry From Around the World

A Poetry Chaikhana Anthology

Edited with Commentary by Ivan M. Granger


$16.95
PURCHASE

Barnes & Noble and Amazon
This Dance of Bliss US
 This Dance of Bliss UK This Dance of Bliss CAN This Dance of Bliss IND
or ask at your local independent book store
This Dance of Bliss is an inspiring collection of poems and wisdom stories from the world’s great sacred traditions. Rumi, St. John of the Cross, Lalla, Goethe, Hildegard von Bingen, Dogen, Khayyam, and many others gather together within these pages to sing their ecstatic songs.

Ivan M. Granger accompanies each poem with his own reflections and meditative commentaries, inviting us to explore the insights and private raptures of these mystics, seers, and saints-until we too are swept up in this dance of bliss!

This book is a treasure, a feast, an oasis. Ivan M. Granger’s profound gift for selecting the kind of poetry that lights up the cave of the heart and melts the boundaries between the soul and the Divine is fully met by his lucid reflections on the soul-transfiguring power of each piece in this magnificent collection.

MIRABAI STARR
author of God of Love: A Guide to the Heart of Judaism, Christianity & Islam


Read More:
Table of Contents + Introduction + Sample + About the Author

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Sep 10 2018

Wislawa Szymborska – Miracle Fair

Published by under Poetry

Miracle Fair
by Wislawa Szymborska

English version by Joanna Trzeciak

Commonplace miracle:
that so many commonplace miracles happen.

An ordinary miracle:
in the dead of night
the barking of invisible dogs.

One miracle out of many:
a small, airy cloud
yet it can block a large and heavy moon.

Several miracles in one:
an alder tree reflected in the water,
and that it’s backwards left to right
and that it grows there, crown down
and never reaches the bottom,
even though the water is shallow.

An everyday miracle:
winds weak to moderate
turning gusty in storms.

First among equal miracles:
cows are cows.

Second to none:
just this orchard
from just that seed.

A miracle without a cape and top hat:
scattering white doves.

A miracle, for what else could you call it:
today the sun rose at three-fourteen
and will set at eight-o-one.

A miracle, less surprising than it should be:
even though the hand has fewer than six fingers,
it still has more than four.

A miracle, just take a look around:
the world is everywhere.

An additional miracle, as everything is additional:
the unthinkable
is thinkable.

— from Miracle Fair: Selected Poems of Wislawa Szymborska, by Wislawa Szymborska / Translated by Joanna Trzeciak


/ Image by Paul Devoto /

There are so many things I like about this poem!

Commonplace miracle:
that so many commonplace miracles happen.

That realization, when it stops being simply a nice idea and truly takes hold of the awareness, when that happens, the world finally comes alive to us. Or perhaps we come alive to it.

A miracle, for what else could you call it:
today the sun rose at three-fourteen
and will set at eight-o-one.

Miracles do not have to be relegated to the supernatural and the superhuman. We don’t need to have lived in remote times or exotic places to experience miracles. We don’t need to have spent weary decades in extreme spiritual practices to experience miracles. We don’t need a different life or a different world.

Second to none:
just this orchard
from just that seed.

We just need to look around. We just need to see.

First among equal miracles:
cows are cows.

What is a miracle, really? It isn’t so much an event or an experience as a moment. It is a moment of recognition, when our awareness catches a glimpse of the wider reality, when what we witness washes us away.

The world is pregnant with miracles. All it takes is for us to approach with quiet awareness and awe, and the most mundane things open themselves into infinities.

Several miracles in one:
an alder tree reflected in the water,
and that it’s backwards left to right
and that it grows there, crown down
and never reaches the bottom,
even though the water is shallow.

But to really look, with a steady gaze and still mind — so hard to do. The reflex is to squirm, to turn away, to let the mind grasp at a thousand things. That’s the hard work right there: learning to relax out of that reflex and not lurch away from really seeing. Only then do we glimpse the miracle spread out all around us and beneath our feet.

A miracle, just take a look around:
the world is everywhere.

Allow yourself to enjoy a moment with the unthinkable today!


Recommended Books: Wislawa Szymborska

Poems New and Collected Miracle Fair: Selected Poems of Wislawa Szymborska View with a Grain of Sand: Selected Poems Nothing Twice: Selected Poems Dancing with Joy: 99 Poems
More Books >>


Wislawa Szymborska, Wislawa Szymborska poetry, Secular or Eclectic poetry Wislawa Szymborska

Poland (1923 – 2012) Timeline
Secular or Eclectic

Continue Reading »

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Aug 30 2018

Wallace Stevens – The house was quiet and the world was calm

Published by under Poetry

The house was quiet and the world was calm
by Wallace Stevens

The house was quiet and the world was calm.
The reader became the book; and summer night

Was like the conscious being of the book.
The house was quiet and the world was calm.

The words were spoken as if there was no book,
Except that the reader leaned above the page,

Wanted to lean, wanted much to be
The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.
The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:
The access of perfection to the page.

And the world was calm. The truth in a calm world,
In which there is no other meaning, itself

Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.

— from The Collected Poems of Wallace Stevens, by Wallace Stevens


/ Image by AwakeNight /

Can’t you just feel the calm spreading out into the summer night? So quiet you hear the crackling of stillness like a whisper in the skull.

I picture the poet in the 1950s, on a cool night after an overlong hot day, sitting in a wooden chair outside on his porch, a porchlight above his shoulder drawing moths, a book open in his lap, and all the night seems to be leaning in to read with him. He shifts his weight, the chair creaks, and all falls into silence again.

Calm, quiet, meaning, mind…

One can say the poet is enjoying a sweet, timeless moment reading a book. Or it could be that he has been overtaken by communion with heaven and earth. The book is just an excuse to be there.

This summer night, I hope you too have a sweet, timeless moment when the house is quiet and the world calm

Sending much love!


Recommended Books: Wallace Stevens

The Enlightened Heart: An Anthology of Sacred Poetry Thirteen Ways of Looking at a Blackbird The Collected Poems of Wallace Stevens


Wallace Stevens, Wallace Stevens poetry, Secular or Eclectic poetry Wallace Stevens

US (1879 – 1955) Timeline
Secular or Eclectic

More poetry by Wallace Stevens

2 responses so far

Aug 23 2018

Pat Schneider – Instructions for the Journey

Published by under Poetry

Instructions for the Journey
by Pat Schneider

The self you leave behind
is only a skin you have outgrown.
Don’t grieve for it.
Look to the wet, raw, unfinished
self, the one you are becoming.
The world, too, sheds its skin:
politicians, cataclysms, ordinary days.
It’s easy to lose this tenderly
unfolding moment. Look for it
as if it were the first green blade
after a long winter. Listen for it
as if it were the first clear tone
in a place where dawn is heralded by bells.

And if all that fails,

wash your own dishes.
Rinse them.
Stand in your kitchen at your sink.
Let cold water run between your fingers.
Feel it.

— from Olive Street Transfer, by Pat Schneider


/ Image by Alice Popkorn /

The self you leave behind
is only a skin you have outgrown.
Don’t grieve for it.

We are alive, and because we are alive, we change. We imagine we know who we are, that we are a fixed, certain self. But the truth is that we are continuously emerging from the old self into a new, unknown self.

If we think we are a certain thing, a certain person and that we fully understand that person, then we are not truly seeing ourselves as we are. The only fixed self is the old self, the past self, the self we have already shed. If we think we are that old self, then we feel a sense of loss and bewilderment. We are always working against the flow of life to become who we were yesterday or ten years ago.

Look to the wet, raw, unfinished
self, the one you are becoming.

There is something messy and uncertain about who we actually are right now. The self we are does not fit easily into the simple ideas of who we should be. And our evolution continues in this very moment. We are still becoming.

But that is where the life is. That is where the potential is.

Let us be kind to ourselves and accept the changing, emerging self. Let us be at ease with our own internal movement. Even at our most still, there is a gentle flow.

The world, too, sheds its skin…

The more we seek a static understanding of the self or the world, the more we miss the magic unfolding before us:

It’s easy to lose this tenderly
unfolding moment.

The more we set aside our ideas and expectations and past histories, the more we can simply be, with a sense of openness and wonder, the more we truly encounter the living mystery we are already participants in.

Look for it
as if it were the first green blade
after a long winter.

I rather like the pithy, down-to-earth final piece of advice:

And if all that fails,

wash your own dishes.
Rinse them.
Stand in your kitchen at your sink.
Let cold water run between your fingers.
Feel it.

I’ll let you in on a personal secret: I love to do dishes. That’s one of my household chores. I do dishes by hand several times a day. There is something satisfying about creating cleanliness and order from the mild mess of daily domestic activity. The mind shifts into a low gear as the hands begin to work their own pattern while water and soap suds run through the fingers. It is a gentle massage for the entire household. It is a meditation made tactile.

Just doing that with easy attention can bring us back to truths that we miss amidst our grand efforts.

Have a beautiful weekend!


Recommended Books: Pat Schneider

Another River: New and Selected Poems Writing Alone and with Others Olive Street Transfer How the Light Gets In: Writing as a Spiritual Practice Wake Up Laughing: A Spiritual Autobiography
More Books >>


Pat Schneider, Pat Schneider poetry,  poetry Pat Schneider

US (Contemporary)

More poetry by Pat Schneider

5 responses so far

Aug 20 2018

Book Announcement: This Dance of Bliss

It’s ready! I am so happy to announce the publication of the latest Poetry Chaikhana anthology:

This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger


This Dance of Bliss

Ecstatic Poetry From Around the World
A Poetry Chaikhana Anthology

 

This Dance of Bliss is a new collection poems by beloved classical sacred poets along with a few modern visionaries — accompanied by my own thoughts, meditations, personal stories, and commentary.

The new anthology will officially be available in late September through Amazon and Barnes & Noble, as well as by request through your local independent bookstore.

But I wasn’t planning on making you wait that long.

For the Poetry Chaikhana community, I am offering a special pre-order deal on This Dance of Bliss. If your purchase a copy directly through the Poetry Chaikhana before September 1st–

  • You will receive a discounted price of $12.95 (rather than the regular retail price of $16.95 USD)
  • I will personally autograph your copy
  • You will receive a special extra or two, like a Poetry Chaikhana bookmark
  • Most importantly, you will be helping me greatly by making sure we cover initial publication expenses
This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger This Dance of Bliss
Ecstatic Poetry From Around the World

A Poetry Chaikhana Anthology

Edited with Commentary by Ivan M. Granger

Pre-Order
before Sept. 1

$12.95
$16.95


PURCHASE
This Dance of Bliss is an inspiring collection of poems and wisdom stories from the world’s great sacred traditions. Rumi, St. John of the Cross, Lalla, Goethe, Hildegard von Bingen, Dogen, Khayyam, and many others gather together within these pages to sing their ecstatic songs.

Ivan M. Granger accompanies each poem with his own reflections and meditative commentaries, inviting us to explore the insights and private raptures of these mystics, seers, and saints-until we too are swept up in this dance of bliss!


Available soon through Amazon, Barnes & Noble,
and by request through your local bookseller

 

This book is a treasure, a feast, an oasis. Ivan M. Granger’s profound gift for selecting the kind of poetry that lights up the cave of the heart and melts the boundaries between the soul and the Divine is fully met by his lucid reflections on the soul-transfiguring power of each piece in this magnificent collection.
     ~ MIRABAI STARR, author of God of Love: A Guide to the Heart of Judaism, Christianity & Islam


To purchase a special pre-order copy of This Dance of Bliss click here or the ‘Purchase’ link above for payment through PayPal.

     If you prefer to pay by check or money order, you can mail it to:

     Poetry Chaikhana
     PO Box 2320
     Boulder, CO 80306

Shipping and handling: $4.50 US, $7.50 Canada, $12.00 International.
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This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger


This Dance of Bliss

Ecstatic Poetry From Around the World
A Poetry Chaikhana Anthology

 

Here is a small sampling from This Dance of Bliss.

You can read more by clicking here: Read More:
Table of Contents + Introduction + Sample Poems




A hundred flowers in spring, the moon in autumn,
the breeze in summer, in winter snow.
When the mind is unclouded,
this is the best season of life.


Wu Men

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A hundred flowers in spring, the moon in autumn,
the breeze in summer, in winter snow.

The shifting seasons against the living canvas of the world invite us to notice the cycles of life, how everything flows and changes and returns again. Because the world is filled with life, nothing remains the same. Everything grows and changes and comes around again renewed.

When the mind is unclouded…

Watching that flow, we witness such beauty. But we can only truly see it we let the mind quiet and become clear.

In such moments, a fullness of the soul overwhelms us. We become creatures of silent delight, content and complete in ourselves as we watch the parade of life’s seasons move past, leaving us fully alive in this very moment.

…this is the best season of life.



The sum total of our life is a breath
spent in the company of the Beloved.

Abu-Said Abil-Kheir
English version by Vraje Abramian




I find it intriguing that “breath” and “life” and “spirit” are synonyms in many languages. When you read sacred writings and the word “spirit” is used, substitute the word “breath” and see how the meaning changes and expands.

The relationship between breath, life, and spirit is more profound than the observation that the living breathe and the dead do not.

We think in terms of borders and boundaries, constantly noting what separates ourselves, mentally and physically, from everything else. But the reality is that there is a constant flow of awareness across those borders. Every one of us has the unseen movement of the breath. Through the breath, what is outside comes inside. What is non-self becomes self. And what was self is released again out into the world. This is communion, nothing less.

That inbreath of yours is the outbreath of another. The air we breathe is the breath of all.

A deep breath opens the chest and expands the heart. A full breath requires us to feel. We feel ourselves, and we feel others. Feeling, too, is communion. When feeling is shut down, the breath is shut down, and life has become limited.

The current of the breath continuously teaches us that the boundaries of self exist only in the mental map. In reality, we flow out into the universe, and the universe flows back in. The only way to secure our borders is to stop breathing, which is, of course, death. Life requires breath, and we live in each other, within the same shared breath.

When we really breathe, we might just come to the same conclusion as the poet: An individual’s lifetime may be brief or long, the experiences of life may be lasting or fleeting, but this communal breath-life-spirit in which we participate is the very breath of the Beloved.




Whoever finds love
beneath hurt and grief
disappears into emptiness
with a thousand new disguises

Rumi
English version by Coleman Barks

 


Ivan M. Granger writes as though God is looking over his shoulder. He inspires appreciation of the literature of awakening as he inspires the reader’s own heart awakening. This anthology features poetic masterpieces from around the world, each one revealing the profound interconnectedness of all things. The comments accompanying each selection are direct and engaging, unfolding layers of meaning, further enhancing the themes of union, interconnection, and non-separation.”
     ~ JERRY KATZ, editor of One: Essential Writings on Nonduality


This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger


This Dance of Bliss

Ecstatic Poetry From Around the World
A Poetry Chaikhana Anthology

Ivan M. Granger Consider purchasing a pre-order copy of This Dance of Bliss in support of the Poetry Chaikhana!

And thank you to everyone for all of the encouragement and support along the way!

Ivan

2 responses so far

Aug 20 2018

Adventures in Book Publishing

Preparing this book has been a journey. The editing and proofreading of a book always requires more than I anticipate. When I send out the Poetry Chaikhana poem emails, I regularly have a few type-os and misspelled or even missing words. You all know that. That’s frustrating to me when I notice mistakes only after I’ve sent the emails out. I like to tell myself those imperfections add to the charm of the emails, letting you know that it’s a real person sending out these emails, a person who is sometimes so enthusiastic for the material that he doesn’t always reread his own notes carefully before hitting the Send button. But I don’t think I can make the same argument when expanding and preparing that material of publication in a book. Taking that original material and preparing it for book form requires extensive work to edit and proofread the material. (Several volunteers from the Poetry Chaikhana community helped greatly with the final stages of the proofreading – thank you!)

I also have to go through the patient process of acquiring all of the necessary reprint permissions. Yes, it’s true that most of the poems I feature are several centuries old, but the translations are usually recent, and those translations are still under copyright. Many publishers charge a fee to grant reprint permissions, which add up in expense when we are talking about a few dozen poems. When I cannot get the reprint permissions for free, I have to decide if I should no longer include a poem in the collection, after all. In other cases, I create my own translation, tracking down the poem in its original language, and spending days or weeks with the poem. (While frustrating to my planned schedule, this often ends up being the most satisfying path. Translating the poem myself allows me to spend time with it, noticing its subtleties and wordplay that are not always apparent to me in other translations.)

It is not small concern to decide on poem order for the book. I look for a sense of related theme and flow as I turn the pages and move from poem to poem. I found myself spending weeks arranging and rearranging the poems, grouping them one way and then another until they all seemed happy with their immediate neighbors in the book.

I had an adventure tracking down the wonderful cover photo of the Mevlana Sufi dancer dissolving into water as he spins. I found the image online early in the process of designing the cover, but the photographer’s web page was out of date and his contact information was no longer valid. I researched him online and discovered that he was a Turkish photographer who lived and worked in Istanbul, but I couldn’t find recent contact information. Eventually I began to talk with a friend who has designed book covers for other authors to see if he could help with my book cover, since my primary design idea had reached a wall. The price he quoted me for his work, while reasonable, was still beyond my range, however. He then said that maybe he could help with the cover image I had been seeking. I gave him the information I had about the image and the photographer. A few days later he said that the same image was available through a photography clearinghouse website. All I needed to do was to pay a small fee, and I could have commercial reprint permissions for the image, which I gladly did. I never managed to connect with the photographer directly, but his lovely image – both dynamic and meditative – now adorns the cover of This Dance of Bliss. Thank you, wherever you are!

Of course, the cover wasn’t done. I designed the rest of the cover around the image of the Sufi dancer. I had to decide on patterns and framing and colors. Fonts and font sizes had to be selected for the cover. All of the elements had to be placed and repositioning them countless times, until I felt I had a pleasing balance of everything.

Within the manuscript itself, I also had to decide on fonts and formatting. I wanted the fonts to be legible and pleasing to the eye. I also wanted the poems to stand out visually from the commentary text, but not contrast in a way that creates visual harmony. I tried to avoid a regimented placement of the poem on the page. Some poems are short and have room to find the right location on the blank page. A few are mischievous and want align to the right or hide at the bottom. Others are meditative and sit at the center of the page. With the few longer poems, I don’t want to have the page break in the middle of a verse, yet it needs to be visually clear that it is still the same poem that has leisurely taken up residence on several pages. Each poem has a personality and its placement should reflect that.

As the book nears completion, there are several further details necessary for publication. I have to purchase and register the ISBN number, so bookstores can carry it and the new book is recognized by the mainstream world of publishing and book distribution. That ISBN barcode has to be incorporated into the back cover of the book, as well. I have to confirm that the book’s formatting meets the printer’s requirements. After sending the files to the printer, I went through a couple of rounds of having them send me printed proof copies before the last minor issues were resolved.

And here we are! The challenges, unplanned delays, and extra work were all worth it. We now have a new book which I hope will inspire and delight. I am pleased to welcome it into the world!

This Dance of Bliss

This Dance of Bliss, Ecstatic Poetry from Around the World, A Poetry Chaikhana Anthology, Ivan M. Granger


This Dance of Bliss

Ecstatic Poetry From Around the World
A Poetry Chaikhana Anthology

Ivan M. Granger Consider purchasing a pre-order copy of This Dance of Bliss in support of the Poetry Chaikhana!

And thank you to everyone for all of the encouragement and support along the way!

Ivan

No responses yet

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